Gal. Lon., Louvre, Munich, Dresden; examples of Both,
Berchem, Du Jardin, and Van der Heyden, in almost all of the
Dutch and German galleries, besides the Louvre and Nat. Gal.
Lon.

MARINE PAINTERS--Willem van de Velde Elder and Younger,
Backhuisen, Vlieger, together with the flower and fruit
painters like Huysum, Hondecoeter, Weenix, have all been
prolific workers, and almost every European gallery,
especially those at London, Amsterdam, and in Germany, have
examples of their works; Van der Werff and Philip van Dyck
are seen at their best at Dresden.

The best works of the modern men are in private collections,
many in the United States, some examples of them in the
Amsterdam and Hague Museums. Also some examples of the old
Dutch masters in New York Hist. Society Library, Yale School
of Fine Arts, Met. Mus. New York, Boston Mus., and Chicago
Institute.

CHAPTER XVIII.

GERMAN PAINTING.

BOOKS RECOMMENDED: Colvin, _A. Durer, his Teachers, his
Rivals, and his Scholars_; Eye, _Leben und Werke Albrecht
Durers_; Foerster, _Peter von Cornelius_; Foerster,
_Geschichte der Deutschen Kunst_; Keane, _Early Teutonic,
Italian, and French Painters_; Kuegler, _Handbook to German
and Netherland Schools, trans. by Crowe_; Merlo, _Die
Meister der altkolnischer Malerschule_; Moore, _Albert
Durer_; Pecht, _Deutsche Kunstler des Neunzehnten
Jahrhunderts_; Reber, _Geschichte der neueren Deutschen
Kunst_; Riegel, _Deutsche Kunststudien_; Rosenberg, _Die
Berliner Malerschule_; Rosenberg, _Sebald und Barthel
Beham_; Rumohr, _Hans Holbein der Jungere_; Sandrart,
_Teutsche Akademie der Edlen Bau, Bild-und Malerey-Kunste_;
Schuchardt, _Lucas Cranach's Leben_; Thausig, _Albert Durer,
His Life and Works_; Waagen, _Kunstwerke und Kunstler in
Deutschland_; E. aus'm Weerth, _Wandmalereien des
Mittelalters in den Rheinlanden_; Wessely, _Adolph Menzel_;
Woltmann, _Holbein and his Time_; Woltmann, _Geschichte der
Deutschen Kunst im Elsass_; Wurtzbach, _Martin Schongauer_.

EARLY GERMAN PAINTING: The Teutonic lands, like almost all of the
countries of Europe, received their first art impulse from
Christianity through Italy. The centre of the faith was at Rome, and
from there the influence in art spread west and north, and in each
land it was modified by local pec