ch had attained to the highest culture
in the southern portion of North America are now well known to belong to
several different stocks, and, if, for example, an attempt is made to
connect the mound-builders with the Pueblo Indians, no result beyond
confusion can be reached until the particular stock of these village
peoples is designated.
Again, it is contained in the recorded history of the country that
several distinct stocks of the present Indians were mound-builders and
the wide extent and vast number of mounds discovered in the United
States should lead us to suspect, at least, that the mound-builders of
pre-historic times belonged to many and diverse stocks. With the
limitations thus indicated the identification of mound-building peoples
as distinct tribes or stocks is a legitimate study, but when we consider
the further fact now established, that arts extend beyond the boundaries
of linguistic stocks, the most fundamental divisions we are yet able to
make of the peoples of the globe, we may more properly conclude that
this field promises but a meager harvest; but the origin and development
of arts and industries is in itself a vast and profoundly interesting
theme of study, and when North American archaeology is pursued with this
end in view, the results will be instructive.
PICTURE-WRITING.
The pictographs of North America were made on divers substances. The
bark of trees, tablets of wood, the skins of animals, and the surfaces
of rocks were all used for this purpose; but the great body of
picture-writing as preserved to us is found on rock surfaces, as these
are the most enduring.
From Dighton Rock to the cliffs that overhang the Pacific, these records
are found--on bowlders fashioned by the waves of the sea, scattered by
river floods, or polished by glacial ice; on stones buried in graves and
mounds; on faces of rock that appear in ledges by the streams; on canon
walls and towering cliffs; on mountain crags and the ceilings of
caves--wherever smooth surfaces of rock are to be found in North
America, there we may expect to find pictographs. So widely distributed
and so vast in number, it is well to know what purposes they may serve
in anthropologic science.
Many of these pictographs are simply pictures, rude etchings, or
paintings, delineating natural objects, especially animals, and
illustrate simply the beginning of pictorial art; others we know were
intended to commemorate events or to represe
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