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ch had attained to the highest culture in the southern portion of North America are now well known to belong to several different stocks, and, if, for example, an attempt is made to connect the mound-builders with the Pueblo Indians, no result beyond confusion can be reached until the particular stock of these village peoples is designated. Again, it is contained in the recorded history of the country that several distinct stocks of the present Indians were mound-builders and the wide extent and vast number of mounds discovered in the United States should lead us to suspect, at least, that the mound-builders of pre-historic times belonged to many and diverse stocks. With the limitations thus indicated the identification of mound-building peoples as distinct tribes or stocks is a legitimate study, but when we consider the further fact now established, that arts extend beyond the boundaries of linguistic stocks, the most fundamental divisions we are yet able to make of the peoples of the globe, we may more properly conclude that this field promises but a meager harvest; but the origin and development of arts and industries is in itself a vast and profoundly interesting theme of study, and when North American archaeology is pursued with this end in view, the results will be instructive. PICTURE-WRITING. The pictographs of North America were made on divers substances. The bark of trees, tablets of wood, the skins of animals, and the surfaces of rocks were all used for this purpose; but the great body of picture-writing as preserved to us is found on rock surfaces, as these are the most enduring. From Dighton Rock to the cliffs that overhang the Pacific, these records are found--on bowlders fashioned by the waves of the sea, scattered by river floods, or polished by glacial ice; on stones buried in graves and mounds; on faces of rock that appear in ledges by the streams; on canon walls and towering cliffs; on mountain crags and the ceilings of caves--wherever smooth surfaces of rock are to be found in North America, there we may expect to find pictographs. So widely distributed and so vast in number, it is well to know what purposes they may serve in anthropologic science. Many of these pictographs are simply pictures, rude etchings, or paintings, delineating natural objects, especially animals, and illustrate simply the beginning of pictorial art; others we know were intended to commemorate events or to represe
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