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feeling or taste." Clementi was more generous, for he couldn't say too much of Mozart's "singing touch and exquisite taste," and dated from this meeting a considerable difference in his own style of play. With the exception of occasional concert tours to Paris, Clementi devoted all his time up to 1802 in England, busy as conductor, composer, virtuoso, and teacher. In the latter capacity he was unrivaled, and pupils came to him from all parts of Europe. Among these pupils were John B. Cramer and John Field, names celebrated in music. In 1802 Clementi took the brilliant young Irishman, John Field, to St. Petersburg on a musical tour, where both master and pupil were received with unbounded enthusiasm, and where the latter remained in affluent circumstances, having married a Russian lady of rank and wealth. Field was idolized by the Russians, and they claim his compositions as belonging to their music. He is now distinctively remembered as the inventor of that beautiful form of musical writing, the nocturne. Spohr, the violinist, met Clementi and Field at the Russian capital, and gives the following amusing account in his "Autobiography": "Clementi, a man in his best years, of an extremely lively disposition and very engaging manners, liked much to converse with me, and often invited me after dinner to play at billiards. In the evening I sometimes accompanied him to his large piano-forte warehouse, where Field was often obliged to play for hours to display instruments to the best advantage to purchasers. I have still in recollection the figure of the pale overgrown youth, whom I have never since seen. When Field, who had outgrown his clothes, placed himself at the piano, stretching out his arms over the keyboard, so that the sleeves shrank up nearly to the elbow, his whole figure appeared awkward and stiff in the highest degree. But, as soon as his touching instrumentation began, everything else was forgotten, and one became all ear. Unfortunately I could not express my emotion and thankfulness to the young man otherwise than by the pressure of the hand, for he spoke no language but his mother tongue. Even at that time many anecdotes of the remarkable avarice of the rich Clementi were related, which had greatly increased in later years when I again met him in London. It was generally reported that Field was kept on very short allowance by his master, and was obliged to pay for the good fortune of having his instruction b
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