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uences which went to the moulding of Oscar Wilde's talent, that of Whistler, in my opinion, was the most important; Whistler taught him that men of genius stand apart and are laws unto themselves; showed him, too, that all qualities--singularity of appearance, wit, rudeness even, count doubly in a democracy. But neither his own talent nor the bold self-assertion learned from Whistler helped him to earn money; the conquest of London seemed further off and more improbable than ever. Where Whistler had missed the laurel how could he or indeed anyone be sure of winning? A weaker professor of AEsthetics would have been discouraged by the monetary and other difficulties of his position and would have lost heart at the outset in front of the impenetrable blank wall of English philistinism and contempt. But Oscar Wilde was conscious of great ability and was driven by an inordinate vanity. Instead of diminishing his pretensions in the face of opposition he increased them. He began to go abroad in the evening in knee breeches and silk stockings wearing strange flowers in his coat--green cornflowers and gilded lilies--while talking about Baudelaire, whose name even was unfamiliar, as a world poet, and proclaiming the strange creed that "nothing succeeds like excess." Very soon his name came into everyone's mouth; London talked of him and discussed him at a thousand tea-tables. For one invitation he had received before, a dozen now poured in; he became a celebrity. Of course he was still sneered at by many as a mere _poseur_; it still seemed to be all Lombard Street to a china orange that he would be beaten down under the myriad trampling feet of middle-class indifference and disdain. Some circumstances were in his favour. Though the artistic movement inaugurated years before by the Pre-Raphaelites was still laughed at and scorned by the many as a craze, a few had stood firm, and slowly the steadfast minority had begun to sway the majority as is often the case in democracies. Oscar Wilde profited by the victory of these art-loving forerunners. Here and there among the indifferent public, men were attracted by the artistic view of life and women by the emotional intensity of the new creed. Oscar Wilde became the prophet of an esoteric cult. But notoriety even did not solve the monetary question, which grew more and more insistent. A dozen times he waved it aside and went into debt rather than restrain himself. Somehow or othe
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