until the fatality occurred which has
caused the greater number of them to perish. It is a fact worthy of
notice, that all the trees of this species below the latitude of Long
Island have escaped the malady.

The Chenar-tree, or Oriental Plane, is celebrated in history, having had
a place in all the public and private grounds of the Greeks and Romans,
as well as of the Eastern nations. The American, or Western Plane,
called in New England the Buttonwood, is not less remarkable for its
size and grandeur. It is one of the loftiest trees, and its lateral
branches, being of great length, give it extraordinary breadth. It also
runs up to an unusual height, compared with other trees, before it forms
a head, so that its lower branches are sometimes elevated above the
roofs of the houses of common height Hence it would be a valuable tree
for road-sides, if it were healthy, as it would allow the largest
vehicles to pass freely under its boughs.

A far more beautiful tree, gracing equally the forest and the way-side,
is the Ash, charming our sight with the gracefulness of its proportions
in winter, with its flowing drapery of verdure in summer, and its
variety of glowing tints in autumn. The Ash has been styled in Europe
"the painter's tree,"--a fact which is worthy of notice, inasmuch as
those writers who have theorized concerning the nature of beauty have
generally regarded trees of broken and irregular shapes, like the
Hickory, as more picturesque than those of prim and symmetrical habit,
like the Ash. The practice of the great masters in painting seems
adverse to this idea, since they have introduced the Ash more frequently
than other trees into their pictures; and it shows the futility of the
attempt to draw a distinction between picturesque and beautiful
trees. All trees, indeed, of every natural shape, may be considered
picturesque, as, in one situation or another, every species may be
introduced to heighten the character of a picture or a landscape.

The Ash never fails to attract attention by the peculiar beauty of its
outlines, the regular subdivision of its branches, its fair proportions
and equal balance without any disagreeable formality. Nothing can exceed
the gracefulness of its pinnate foliage, hanging loosely from its
equally divergent spray, easy of motion, but not fluttering, and always
harmonizing in its tints with the season of the year. Notwithstanding
the different character, in regard to symmetry, of th