FREE BOOKS

Author's List




PREV.   NEXT  
|<   403   404   405   406   407   408   409   410   411   412   413   414   415   416   417   418   419   420   421   422   423   424   425   426   427  
428   429   430   431   432   433   434   435   436   437   438   439   440   441   442   443   444   445   446   447   448   449   450   451   452   >>   >|  
another which resembles it, or whether contrary words are opposed to one another, they are harmonious of their own nature, even if nothing has been done on purpose. In the pursuit of this sort of neatness Gorgias is reported to have been the leader; and of this style there is an example in our speech in defence of Milo: "For this law, O judges, is not a written one, but a natural one, one which we have not learnt, or received from others, or gathered from books; but which we have extracted, and pressed out, and imbibed from nature itself; it is one in which we have not been educated, but born; we have not been brought up in it, but imbued with it. For these sentences are such that, because they are referred to the principles to which they ought to be referred, we see plainly that harmony was not the thing that was sought in them, but that which followed of its own accord. And this is also the case when contraries are opposed to one another; as those phrases are by which not only a harmonious sentence, but even a verse is made. "Eam, quam nihil accusas, damnas." A man would say _condemnas_ if he wished to avoid making a verse. "Bene quam meritam esse autumas, dicis male mereri. Id, quod scis, prodest nihil; id, quod nescis, obest." The very relation of the contrary effects makes a verse that would be harmonious in a narration. "Quod scis, nihil prodest; quod nescis, multum obest." These things, which the Greeks call [Greek: antitheta], as in them contraries are opposed to contraries, of sheer necessity produce oratorical rhythm; and that too without any intention on the part of the orator that they should do so. This was a kind of speaking in which the ancients used to take delight, even before the time of Isocrates; and especially Gorgias; in whose orations his very neatness generally produces an harmonious rhythm. We too frequently employ this style; as in the fourth book of our impeachment of Verres:--"Compare this peace with that war; the arrival of this praetor with the victory of that general; the debauched retinue of this man, with the unconquerable army of the other; the lust of this man with the continence of that one; and you will say that Syracuse was founded by the man who in reality took it; and was stormed by this one, who in reality received it in an admirable and settled condition." This sort of rhythm then must be well understood. L. We must now explain that third kind of an
PREV.   NEXT  
|<   403   404   405   406   407   408   409   410   411   412   413   414   415   416   417   418   419   420   421   422   423   424   425   426   427  
428   429   430   431   432   433   434   435   436   437   438   439   440   441   442   443   444   445   446   447   448   449   450   451   452   >>   >|  



Top keywords:

harmonious

 

opposed

 

contraries

 
rhythm
 

referred

 

received

 

reality

 

prodest

 

nescis

 
contrary

neatness

 
nature
 
Gorgias
 

ancients

 
speaking
 

orations

 

generally

 

Isocrates

 
delight
 
orator

antitheta

 
Greeks
 

multum

 

things

 
necessity
 

produce

 

intention

 
oratorical
 

stormed

 

admirable


founded

 

Syracuse

 

continence

 

settled

 

condition

 

explain

 

understood

 

resembles

 

impeachment

 

Verres


Compare

 

fourth

 
frequently
 

employ

 

retinue

 

unconquerable

 

debauched

 
general
 

arrival

 

praetor