to
his own, informed him of a something in her character that might have
suggested to Mrs Mountstuart Jenkinson her indefensible, absurd "rogue
in porcelain". Idea there was none in that phrase; yet, if you looked
on Clara as a delicately inimitable porcelain beauty, the suspicion of
a delicately inimitable ripple over her features touched a thought of
innocent roguery, wildwood roguery; the likeness to the costly and
lovely substance appeared to admit a fitness in the dubious epithet. He
detested but was haunted by the phrase.

She certainly had at times the look of the nymph that has gazed too
long on the faun, and has unwittingly copied his lurking lip and long
sliding eye. Her play with young Crossjay resembled a return of the
lady to the cat; she flung herself into it as if her real vitality had
been in suspense till she saw the boy. Sir Willoughby by no means
disapproved of a physical liveliness that promised him health in his
mate; but he began to feel in their conversations that she did not
sufficiently think of making herself a nest for him. Steely points were
opposed to him when he, figuratively, bared his bosom to be taken to
the softest and fairest. She reasoned: in other words, armed her
ignorance. She reasoned against him publicly, and lured Vernon to
support her. Influence is to be counted for power, and her influence
over Vernon was displayed in her persuading him to dance one evening at
Lady Culmer's, after his melancholy exhibitions of himself in the art;
and not only did she persuade him to stand up fronting her, she
manoeuvred him through the dance like a clever boy cajoling a top to
come to him without reeling, both to Vernon's contentment and to Sir
Willoughby's; for he was the last man to object to a manifestation of
power in his bride. Considering her influence with Vernon, he renewed
the discourse upon young Crossjay; and, as he was addicted to system,
he took her into his confidence, that she might be taught to look to
him and act for him.

"Old Vernon has not spoken to you again of that lad?" he said.

"Yes, Mr. Whitford has asked me."

"He does not ask me, my dear!"

"He may fancy me of greater aid than I am."

"You see, my love, if he puts Crossjay on me, he will be off. He has
this craze for 'enlisting' his pen in London, as he calls it; and I am
accustomed to him; I don't like to think of him as a hack scribe,
writing nonsense from dictation to earn a pitiful subsistence; I want
hi