if we are
the fools to share it, we lose our chance; instead of the queens, we are
the slaves, and instead of a life of pleasure, we pass from fever to
fever at a tyrant's caprice: he does rightly in despising us. Ay, and
many a worthy woman thinks the same. Educated in dependency as they are,
they come to the idea of love to snatch at it for their weapon of the
man's weakness. For which my lord calls them heartless, and poets are
angry with them, rightly or wrongly.

It must, I fear, be admitted for a truth, that sorrow is the portion of
young women who give the full measure of love to the engagement, marrying
for love. At least, Countess Livia could declare subsequently she had
foretold it and warned her cousin. Not another reflection do you hear
from me, if I must pay forfeit of my privilege to hurry you on past
descriptions of places and anatomy of character and impertinent talk
about philosophy in a story. When we are startled and offended by the
insinuated tracing of principal incidents to a thread-bare spot in the
nether garments of a man of no significance, I lose patience.

Henrietta's case was a secondary affair. What with her passion--it was
nothing less--and her lover's cunning arts, and her father's consent
given, and in truth the look of the two together, the dissuasion of them
from union was as likely to keep them apart as an exhortation addressed
to magnet and needle. Countess Livia attacked Carinthia Jane and the
admiral backing her. But the admiral, having given his consent to his
daughter's marriage, in consequence of the earl's pledged word to 'his
other girl,' had become a zealot for this marriage and there was only not
a grand altercation on the subject because Livia shunned annoyances.
Alone with Carinthia Jane, as she reported to Henrietta, she spoke to a
block, that shook a head and wore a thin smile and nursed its own idea of
the better knowledge of Edward Russett, Earl of Fleetwood, gained in the
run of a silly quadrille at a ball:

What is a young man's word to his partner in a quadrille?

Livia put the question, she put it twice rather sternly, and the girl
came out with: 'Oh, he meant it!'

The nature, the pride, the shifty and furious moods of Lord Fleetwood
were painted frightful to her.

She had conceived her own image of him.

Whether to set her down as an enamoured idiot or a creature not a whit
less artful than her brother, was Countess Livia's debate. Her
inclination was to