FREE BOOKS

Author's List




PREV.   NEXT  
|<   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279  
280   281   282   283   284   285   286   287   288   289   290   291   292   293   294   295   296   >>  
places at particular times. I have tried to arrange them in groups. [Illustration: Fig. 136. A Carmelite in his study. From a MS. of _Le Miroir Historial_ in the British Museum.] [Illustration: Fig. 137. Three musicians in a library. From a MS. of a French translation of _Valerius Maximus_, in the British Museum.] In the first place the chair is usually a rather elaborate piece of furniture, with arms, a straight back, and, very frequently, a canopy. A cushion to sit upon is sometimes permitted, but, as a general rule, these chairs are destitute of stuffing, tapestry, or other device to conceal the material of which they are made. Occasionally the canopy is richly carved or painted in a pattern. The commonest form of desk is a modification of the lectern-system. It consists of a double lectern, beneath which is a row of cupboards, or rather a shelf protected by several doors, one of which is always at the end of the piece of furniture. The triangular space under the lectern is also used for books. This device is specially commended by Richard de Bury in the _Philobiblon_[529]. "Moses," says he, "the gentlest of men, teaches us to make bookcases most neatly, wherein they may be protected from any injury: _Take_, he says, _this book of the law, and put it in the side of the ark of the covenant of the Lord your God_." My illustration (fig. 138) is taken from an edition of the _Ship of Fools_, printed at Basle by Nicolas Lamparter in 1507. In this example the desk with its cupboards stands on a plinth, and this again on a broad step. Both are probably introduced to ensure steadiness. [Illustration: Fig. 138. A bibliomaniac at his desk. From the _Ship of Fools_.] The seated figure represents a bibliomaniac who treats his books as mere curiosities from which he derives no mental improvement. He has put on his spectacles and wielded his feather-brush, in order to dust the leaves of a folio with greater care. Under the cut are the following explanatory lines: Qui libros tyriis vestit honoribus Et blattas abijt puluerulentulas Nec discens animum litterulis colit: Mercatur nimia stultieiam stipe. I append a rough translation: Who clothes his books in Tyrian dyes, Then brushes off the dust and flies, Nor reads one line to make him wise, Spends lavish gold and--FOLLY buys. Such a desk as this was used in the succeeding century in at least two libraries belonging to ladies of high rank
PREV.   NEXT  
|<   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279  
280   281   282   283   284   285   286   287   288   289   290   291   292   293   294   295   296   >>  



Top keywords:

lectern

 

Illustration

 

canopy

 

furniture

 

protected

 
bibliomaniac
 

cupboards

 

device

 
translation
 

Museum


British
 
seated
 

figure

 

represents

 
steadiness
 

ensure

 

century

 

succeeding

 

introduced

 
treats

improvement

 

mental

 
brushes
 

curiosities

 

derives

 

ladies

 
printed
 

belonging

 
edition
 
Nicolas

Lamparter

 

plinth

 
stands
 

libraries

 

spectacles

 

puluerulentulas

 

discens

 

blattas

 

vestit

 
illustration

honoribus

 

Tyrian

 

animum

 

clothes

 

append

 
stultieiam
 

litterulis

 

Mercatur

 

tyriis

 
leaves