tily wish she could have fulfilled that purpose if it was a
purpose, or realized that dream if it was only a dream. Perhaps,
however, that sumptuous and glowing fancy of hers, which had taken the
fancy of the young readers of that day, needed the cold New England
background to bring out all its intensities of tint, all its splendors of
light. Its effects were such as could not last, or could not be farther
evolved; they were the expression of youth musing away from its
environment and smitten with the glories of a world afar and beyond, the
great world, the fine world, the impurpled world of romantic motives and
passions. But for what they were, I can never think them other than what
they appeared: the emanations of a rarely gifted and singularly poetic
mind. I feel better than I can say how necessarily they were the
emanations of a New England mind, and how to the subtler sense they must
impart the pathos of revolt from the colorless rigidities which are the
long result of puritanism in the physiognomy of New England life.

Their author afterwards gave herself to the stricter study of this life
in many tales and sketches which showed an increasing mastery; but they
could not have the flush, the surprise, the delight of a young talent
trying itself in a kind native and, so far as I know, peculiar to it.
From time to time I still come upon a poem of hers which recalls that
earlier strain of music, of color, and I am content to trust it for my
abiding faith in the charm of things I have not read for thirty years.

V.

I speak of this one and that, as it happens, and with no thought of
giving a complete prospect of literary Boston thirty years ago. I am
aware that it will seem sparsely peopled in the effect I impart, and I
would have the reader always keep in mind the great fames at Cambridge
and at Concord, which formed so large a part of the celebrity of Boston.
I would also like him to think of it as still a great town, merely, where
every one knew every one else, and whose metropolitan liberation from
neighborhood was just begun.

Most distinctly of that yet uncitified Boston was the critic Edwin P.
Whipple, whose sympathies were indefinitely wider than his traditions. He
was a most generous lover of all that was excellent in literature; and
though I suppose we should call him an old-fashioned critic now, I
suspect it would be with no distinct sense of what is newer fashioned. He
was certainly as friendly to w