Great be the manners of the bard.
He shall not his brain encumber
With the coil of rhythm and number;
But leaving rule and pale forethought
He shall aye climb
For his rhyme.
'Pass in, pass in,' the angels say,
'In to the upper doors,
Nor count compartments of the floors,
But mount to paradise
By the stairway of surprise.'"

And here is another passage from "The Poet," mentioned in the quotation
before the last, in which the bard is spoken of as performing greater
miracles than those ascribed to Orpheus:--

"A Brother of the world, his song
Sounded like a tempest strong
Which tore from oaks their branches broad,
And stars from the ecliptic road.
Time wore he as his clothing-weeds,
He sowed the sun and moon for seeds.
As melts the iceberg in the seas,
As clouds give rain to the eastern breeze,
As snow-banks thaw in April's beam,
The solid kingdoms like a dream
Resist in vain his motive strain,
They totter now and float amain.
For the Muse gave special charge
His learning should be deep and large,
And his training should not scant
The deepest lore of wealth or want:
His flesh should feel, his eyes should read
Every maxim of dreadful Need;
In its fulness he should taste
Life's honeycomb, but not too fast;
Full fed, but not intoxicated;
He should be loved; he should be hated;
A blooming child to children dear,
His heart should palpitate with fear."

We look naturally to see what poets were Emerson's chief favorites. In
his poems "The Test" and "The Solution," we find that the five whom
he recognizes as defying the powers of destruction are Homer, Dante,
Shakespeare, Swedenborg, Goethe.

Here are a few of his poetical characterizations from "The Harp:"--

"And this at least I dare affirm,
Since genius too has bound and term,
There is no bard in all the choir,
Not Homer's self, the poet-sire,
Wise Milton's odes of pensive pleasure,
Or Shakespeare whom no mind can measure,
Nor Collins' verse of tender pain,
Nor Byron's clarion of disdain,
Scott, the delight of generous boys,
Or Wordsworth, Pan's recording voice,--
Not one of all can put in verse,
Or to this presence could rehearse
The sights and voices ravishing
The boy knew on the hills in spring."--

In the notice of "Parnassus" some of his preferences have been already
mentioned.

Comparisons between men of genius for the sake of aggrandizing the
on