FREE BOOKS

Author's List




PREV.   NEXT  
|<   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209  
210   211   212   213   214   215   216   217   218   219   220   221   222   223   224   225   226   227   228   229   230   231   232   233   234   >>   >|  
id the girl. "I don't like it." "Ah, he's to blame for that," Matt said. "But as for his hardness, that probably comes from his having had to make such a hard fight for what he wants to be in life. That hardens people, and brutalizes them, but somehow we mostly admire them and applaud them for their success against odds. If we had a true civilization a man wouldn't have to fight for the chance to do the thing he is fittest for, that is, to be himself. But I'm glad you don't like Maxwell's hardness; I don't myself." "He seems to look upon the whole world as material, as he calls it; he doesn't seem to regard people as fellow beings, as you do, Matt, or even as servants or inferiors; he hasn't so much kindness for them as that." "Well, that's the odious side of the artistic nature," said Matt, smiling tolerantly. "But he'll probably get over that; he's very young; he thinks he has to be relentlessly literary now." "He's older than I am!" said Louise. "He hasn't seen so much of the world." "He thinks he's seen a great deal more. I don't think he's half so nice as we supposed. I should call him dangerous." "Oh, I shouldn't say _that_, exactly," Matt returned. "But he certainly hasn't our traditions. I'll just step over and call him to dinner." "Oh, no! Let me try if I can blow the horn." She ran to where the long tin tube hung on the porch, and coming out with it again, set it to her lips and evoked some stertorous and crumby notes from it. "Do you suppose he saw me?" she asked, running back with the horn. Matt could not say; but Maxwell had seen her, and had thought of a poem which he imagined illustrated with the figure of a tall, beautiful girl lifting a long tin horn to her lips with outstretched arms. He did not know whether to name it simply The Dinner Horn, or grotesquely, Hebe Calling the Gods to Nectar. He debated the question as he came lagging over the grass with his cushion in one hand and Pinney's letter, still opened, in the other. He said to Matt, who came out to get the cushion of him, "Here's something I'd like to talk over with you, when you've the time." "Well, after dinner," said Matt. Pinney's letter was a long one, written in pencil on one side of long slips of paper, like printer's copy; the slips were each carefully folioed in the upper right hand corner; but the language was the language of Pinney's life, and not the decorative diction which he usually addressed to the public
PREV.   NEXT  
|<   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209  
210   211   212   213   214   215   216   217   218   219   220   221   222   223   224   225   226   227   228   229   230   231   232   233   234   >>   >|  



Top keywords:

Pinney

 

letter

 
Maxwell
 

dinner

 

thinks

 

cushion

 

hardness

 

people

 

language

 
running

thought
 

imagined

 

illustrated

 
figure
 
carefully
 

folioed

 

coming

 
diction
 

public

 
addressed

decorative

 
corner
 
crumby
 

stertorous

 

evoked

 

suppose

 
outstretched
 

question

 

lagging

 
debated

Nectar
 

Calling

 

opened

 

grotesquely

 

lifting

 

pencil

 

written

 

Dinner

 

simply

 
printer

beautiful
 
fittest
 

chance

 

civilization

 

wouldn

 
regard
 

fellow

 

material

 

hardens

 

success