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there used is taken up-stream and before it has been soiled by its passage through the suburbs and city. In the same pavilion the Administration has exhibited the plans and the comparative views of the city taken at different epochs since 1789 up to the last months of 1889. We here see the march of progress in this immense city, expanding without cessation like a drop of oil, and as it enlarges crossed by great arteries which establish across its mass conduits for aeration, and at the same time suppress the agglomerations of former days. For artists and archaeologists and lovers of old Paris, whom these new transformations displease and who regret the picturesque past, the authorities have had the forethought to paint or photograph before demolition the quarters which to-day have disappeared, or are on the point of disappearing; and as a consolation such persons have very pretty pictures by M. Pansyer, representing St. Julien le Pauvre, the Rue Galande, the Place Maubert, the ruins of the Opera Comique, the flower-covered relics of the Cour de Comptes; and there has even been evoked for them the manor-houses of Clichy and Monceau such as they were in 1789, and also the quarter of the Bastile, which can thus be compared with their present aspect. Not far from these antiquities the City of Paris has exhibited some decorative paintings executed for its various _mairies_, the "Abreuvoir" and the "Lavoir" of M. D. A. Baudoin, and for the _Mairie_ d' Arcueil-cachan "L' Automne et l'Ete," by M. A. Seon; "The Marriage," by M. Glaize, and a fine painting, "The Defense of Paris in 1814," by M. Schommer. Other compositions are signed by Cormon, Gervex and Boulanger. Finally, to make an end of the important works which she has caused to be executed, the City of Paris exhibits models, at a reduced scale, of the new Sorbonne, of the Ecole de Medicine, and of the Ecole Pratique, at present in course of construction, also plans and photographs of buildings erected during the last ten years, such as schools, _maries_, etc. The department of sidewalks and plantations is represented by a reduced model of the Crematory at Pere Lachaise, plans and views of the new cemeteries at Pantin and Bagneux, as well as the future square of Montmartre. The second pavilion of the City of Paris is more especially consecrated to instruction. After attending to the healthfulness of matter, attention must be given to the healthfulness of the mind an
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