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, and 'aving done this and lingered to the last moment, one after the other dropped away with awe-stricken souls until the last was gone. And under the arch of sunny sky the little shining waves ran up the beach, chasing each other over the glittering sand, catching at shells and sea-weed, toying with them for a moment, and then leaving them, rippling and curling and whispering, but creeping--creeping--creeping. They gave his message to the woman he had loved with all the desperate strength of his dull, yet unchanging nature; and when the man who gave it to her saw her wild, white face and hard-set lips, he blundered upon some dim guess as to what that single word might have been, but the sharpest of them never knew the stubborn anguish that, following and growing day by day, crushed her fierce will and shook her heart. She was as hard as ever, they thought; but they were none of them the men or women to guess at the long dormant instinct of womanhood and remorse that the tragedy of this one day of her life had awakened. She had said she would never forgive him, and perhaps her very strength made it long before she did; but surely some subtle chord was touched by those heavy last words, for when, months later, her first love came back, faithful and tender, with his old tale to tell she would not listen. "Nay, lad," she said, "I amna a feather to blow wi' th' wind. I've had my share o' trouble wi' men foak, an' I ha' no mind to try again. Him as lies i' th' churchyard loved me i' his way--men foak's way is apt to be a poor un--an' I'm wore out wi' life. Dunnot come here courtin'--tak' a better woman." But yet, there are those who say that the time will come when he will not plead in vain. End of Project Gutenberg's One Day At Arle, by Frances Hodgson Burnett *** END OF THIS PROJECT GUTENBERG EBOOK ONE DAY AT ARLE *** ***** This file should be named 23330.txt or 23330.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/3/3/23330/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms o
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