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sudden. "I don't know." "I passed through a winter," Puck announced, all pride. "My experiences date back to the ice age. In a sense they take me _through_ the ice age. That's why I'm here--I'm here to recuperate." "Whatever else you may be, you certainly are spunky," remarked Maya. "I should say so," exclaimed Puck, and made an airy leap out into the sunshine. "The flies are the boldest race in creation. We never run away unless it is better to run away, and then we always come back.-- Have you ever sat on a human being?" "No," said Maya, looking at the fly distrustfully out of the corner of her eye. She still didn't know quite what to make of him. "No, I'm not interested in sitting on human beings." "Ah, dear child, that's because you don't know what it is. If ever you had seen the fun I have with the man at home, you'd turn green with envy. I'll tell you.-- In my room there lives an elderly man who cherishes the color of his nose by means of a peculiar drink, which he keeps hidden in the corner cupboard. It has a sweet, intoxicating smell. When he goes to get it he smiles, and his eyes grow small. He takes a little glass, and he looks up to the ceiling while he drinks, to see if I am there. I nod down to him, and he passes his hand over his forehead, nose and mouth to show me where I am to sit later on. Then he blinks, and opens his mouth as wide as he can, and pulls down the shade to keep the afternoon sun from bothering us. Finally he lays himself down on a something called a sofa, and in a short while begins to make dull snuffling sounds. I suppose he thinks the sounds are beautiful. We'll talk about them some other time. They are man's slumber song. For me they are the sign that I am to come down. The first thing I do is to take my portion from the glass, which he left for me. There's something tremendously stimulating about a drop like that. I understand human beings. Then I fly over and take my place on the forehead of the sleeping man. The forehead lies between the nose and the hair and serves for thinking. You can tell it does from the long furrows that go from right to left. They must move whenever a man thinks if something worth while is to result from his thinking. The forehead also shows if human beings are annoyed. But then the folds run up and down, and a round cavity forms over the nose. As soon as I settle on his forehead and begin to run to and fro in the furrows, the man makes a s
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