e
two are in striking contrast; the Chapter House, in the severe Early
English style, with flying buttresses so characteristic of that period,
belongs to the monastery which was built on the site of the Confessor's
original foundation by Henry III. The Chapel of Henry VII., of the
late Perpendicular style of architecture, replaced an Early English
Lady Chapel, which had stood on this same spot since the first years of
Henry III.'s reign.

* * * * * *

We pass from the north front along the apse to the Chapel of Henry
VII., and, as we turn the corner and have a clear view of the beautiful
Early English Chapter House, with its flying buttresses, rejoice in the
absence of the houses which were formerly close against it. The chapel
itself was practically falling in the early nineteenth century, when,
owing to the energy of Dean Vincent, and by the aid of a grant from
Parliament amounting to 42,000 pounds, it was completely restored. The
work was begun under Dean Vincent, but not finished until 1822, in the
time of Dean Ireland; the whole was carried out with the help of a
committee of taste, which instructed James Wyatt, the architect.
Unfortunately, although Wyatt is honoured by a tablet in the nave, his
name is not one of high standing architecturally, and the so-called
committee of taste were guilty of many acts of sheer want of taste.
Thus there is no doubt that {17} considerable damage was done to the
original design of the chapel, statues were removed, bosses in the roof
added, besides other alterations, but the healing hand of time has
mellowed the stone, and the whole appears equally ancient and in
sufficient harmony to the casual eye.

{21}

A WALK ROUND WESTMINSTER ABBEY

The most usual way to enter the church is by the north doorway, but the
more convenient trysting-place is the west end of the nave. Our purpose
in the following pages is to picture a morning spent in the Abbey with a
party of tourists, who have been collected in a somewhat haphazard manner
before a start is made, and are now assembled beneath the statue of the
younger Pitt. Although the majority are probably of British and American
nationality with a sprinkling no doubt of our colonial brothers, in the
minority will very likely be found more than one stranger from the West
or from the East, perchance even a coloured man. But as we pass along
the aisles, now one, now another, whatever his national