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n thinking CHRIST. How pale, shadowy, and shapeless the vision of lust, revenge, and impotence, that rises at the thought of Zeus; but at the thought of Christ, how overwhelming the inrush of sublime and touching realities; what height and depth of love and power; what humility, and beauty, and immaculate purity are made ours at the mention of his name; the Saviour, the Intercessor, the Judge, the Resurrection and the Life. These--these are the divinely awful truths taught by our faith; and which should also be taught by our art. Hellenic art, like the fig tree that only bore leaves, withered at Christ's coming; and thus no "happy discoveries" can flow thence, or "revelations of wisdom," or other perfections be borne to earth for man. _Sophon._ Christian thinks and says, that if the spiritual be not _in_ a thing, it cannot be put upon it; and hence, if a work of art be not a god, it must be a man, or a mere image of one; and that the faith of the Pagan is the foolishness of the Christian. Nor does he utter unreason; for, notwithstanding their perfect forms, their gods are not gods to us, but only perfect forms: Apollo, Theseus, the Ilissus, Aphrodite, Artemis, Psyche, and Eros, are only shapeful manhood, womanhood, virginhood, and youth, and move us only by the exact amount of humanity they possess in common with ourselves. _Homer and aeschylus, and Sophocles, and Phidias, live not by the sacred in them, but by the human:_ and, but for this common bond, Hellenic art would have been submerged in the same Lethe that has drowned the Indian, Egyptian, and Assyrian Theogonies and arts. And, if we except form, what other thing does Hellenic art offer to the modern artist, that is not thoroughly opposed to his faith, wants, and practice? And thought--thought in accordance with all the lines of his knowledge, temperament, and habits--thought through which he makes and shapes for men, and is understood by them--it is as destitute of, as inorganic matter of soul and reason. But Christian art, because of the faith upon which it is built, suffers under no such drawbacks, for that faith is as personal and vigorous now as ever it was at its origin--every motion and principle of our being moves to it like a singing harmony;--it is the breath which brings out of us, aeolian-harp-like, our most penetrating and heavenly music--the river of the water of life, which searches all our dry parts and nourishes them, causing them to spring up
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