is
to "express thoughts towards Nature." We see much to commend in its
pages, which are also nicely illustrated in the mediaeval style of
art and in outline. The paper upon Shakespeare's tragedy of
"Macbeth," in the third number, abounds with striking passages, and
will be found to be well worthy of consideration.

* * * * * * *

I now proceed to "The Guardian." The notice came out on August 20,
1850, some months after "The Germ" had expired. I do not now know who
wrote it, and (so far as memory serves me) I never did know. The
writer truly said that Millais "contributes nothing" to the magazine.
This however was not Millais's fault, for he made an etching for a
prose story by my brother (named "An Autopsychology," or now "St.
Agnes of Intercession"); and this etching, along with the story, had
been expected to appear in a No. 5 of "The Germ" which never came
out. The "very curious but very striking picture" by Rossetti was the
"Annunciation," now in the National British Gallery.

_Art and Poetry._ Being Thoughts towards Nature. Conducted
principally by Artists. Dickinson and Co., and Aylott and Jones.

We are very sorry to find that, after a short life of four monthly
numbers, this magazine is not likely to be continued. Independently
of the great ability displayed by some of its contributors, we have
been anxious to see the rising school of young and clever artists
find a voice, and tell us what they are aiming at, and how they
propose to reach their aim. This magazine was to a great extent
connected with the Pre-Raffaelle Brethren, whose paintings have
attracted this year a more than ordinary quantity of attention, and
an amount of praise and blame perhaps equally extravagant. As might
have been expected, the school has been identified with its cleverest
manipulator, Mr. Millais, and his merits or defects have been made
the measure of the admiration or contempt bestowed by the public upon
those whom it chooses to class with him. This is not matter of
complaint, but it is a mistake. As far as these papers enable us to
judge, Mr. Millais is by no means the leading _mind_ among his
fraternity; and judged by the principles of some clever and beautiful
papers upon art in the magazine before us, his pictures would be
described by them as wanting in some of the very highest artistic
qualities, although possessing many which entitle them to attention
and respect. The chief contributors to this magazine (to whi