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ngress dissident: "XYZ is a good politician. The problem is just that he is so bloody corrupt." Or words to that effect. If the early freedom was quick to vanish, it didn't take much time to realise that every new paper goes through this honeymoon with truth -- extended only as long as the time required to build up its credibility. For the CHOGM, Rajan allowed this writer to report on protests from a citizens' group concerned about the pouring of crores down the drain in the name of building infrastructure. If one recalls right, the figure was around Rs 50 crore (Rs 500 million), a huge sum by early 'eighties standards. Another issue that was a concern then was the manner in which the event was being used as an excuse by luxury hotels to expand their properties. At this time, Rajan's diktat was clear: let the criticism go before the event, but once the CHOGM Retreat starts, no more of it. Such attitudes, and this was surely not the only case, meant the stifling of a crucial voice at an important time of Goan history. Resultantly, the outstation media, for instance, didn't get a clue that such questions were at all being asked in Goan society. When it comes to recording the history of the 'eighties, there will likewise be many gaps or black holes... and many could be led into believing that these events simply didn't occur. Rajan's role in the Konkani movement would be another interesting issue for research. Many a Catholic from Goa, both here and among the diaspora, tends to read him as being a "hero for Konkani". (Dr Teotonio De Souza, historian, commented on Goanet on September 18, 2003: "I have known Rajan Narayan while still in Goa and admired his contribution to the Konkani cause.") But the issue is more complex. Needless to say, Goa's media adopts a dog-does-not-eat-dog approach, and for most of the time avoids criticising each other. Rajan's role in the language agitation is yet to be adequately evaluated. The Week magazine, in an article written by the journalist Ashok Row Kavi (who went on to become a prominent gay activist, but that's not particularly relevant here) did a critical piece on the role played by Rajan and the other Narayan, Athawale: It's titled 'The two Narayans' and says: THE three worlds in Hindu mythology always shuddered when the chant 'Narayan, Narayan' echoed in the cosmos. It meant that Narada, the roving rishi, was making his petty-fogging presence felt. Goa has t
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