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The Project Gutenberg eBook, Hidden Creek, by Katharine Newlin Burt This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Hidden Creek Author: Katharine Newlin Burt Release Date: February 7, 2004 [eBook #10978] Language: English Character set encoding: US-ASCII ***START OF THE PROJECT GUTENBERG EBOOK HIDDEN CREEK*** E-text prepared by Rick Niles, Mary Meehan, and the Project Gutenberg Online Distributed Proofreading Team HIDDEN CREEK BY KATHARINE NEWLIN BURT AUTHOR OF "THE BRANDING IRON" AND "THE RED LADY" 1920 TO MAXWELL STRUTHERS BURT WHO BLAZED THE TRAIL CONTENTS PART ONE: THE GOOD OLD WORLD I. SHEILA'S LEGACY II. SYLVESTER HUDSON COMES FOR HIS PICTURE III. THE FINEST CITY IN THE WORLD IV. MOONSHINE V. INTERCESSION VI. THE BAWLING-OUT VII. DISH-WASHING VIII. ARTISTS IX. A SINGEING OF WINGS X. THE BEACON LIGHT XI. IN THE PUBLIC EYE XII. HUDSON'S QUEEN XIII. SYLVESTER CELEBRATES XIV. THE LIGHT OF DAWN XV. FLAMES PART TWO: THE STARS I. THE HILL II. ADVENTURE III. JOURNEY'S END IV. BEASTS V. NEIGHBOR NEIGHBOR VI. A HISTORY AND A LETTER VII. SANCTUARY VIII. DESERTION IX. WORK AND A SONG X. WINTER XI. THE PACK XII. THE GOOD OLD WORLD AGAIN XIII. LONELINESS XIV. SHEILA AND THE STARS HIDDEN CREEK PART ONE THE GOOD OLD WORLD CHAPTER I SHEILA'S LEGACY Just before his death, Marcus Arundel, artist and father of Sheila, bore witness to his faith in God and man. He had been lying apparently unconscious, his slow, difficult breath drawn at longer and longer intervals. Sheila was huddled on the floor beside his bed, her hand pressing his urgently in the pitiful attempt, common to human love, to hold back the resolute soul from the next step in its adventure. The nurse, who came in by the day, had left a paper of instructions on the table. Here a candle burned under a yellow shade, throwing a circle of warm, unsteady light on the head of the girl, on the two hands, on the rumpled coverlet, on the dying face. This circle of light seemed to collect these things, to choose them, as though for the expression of some meaning. It felt for them as an artist feels
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