isgusted her. He must have been more drunk than he
imagined. It _was_ disgusting--and so hopeless. Perhaps it would be
better to leave Millings.
He sat up on the edge of his bed and let his hands hang limply down
between his knees. It seemed to him that his thoughts were like a wheel,
half-submerged in running water. The wheel went round rapidly, plunging
in and out of his consciousness. Hardly had he grasped the meaning of one
half when it went under and another blur of moving spokes emerged.
Something his father had said, for instance, now began to pass through
his mind.... "I've got my plans for her".... Dickie tried to stop the
turning wheel because this speech gave him a distinct feeling of anger
and alarm. By an effort of his will, he held it before his
contemplation.... What possible plans could Sylvester have for Sheila?
Did she understand his plans? Did she approve of them? She was so young
and small, with that sad, soft mouth and those shining, misty eyes.
Dickie, with almost a paternal air, shook his ruffled head. He shut his
eyes so that the long lashes stood out in little points. A vision of
those two faces--Sheila's so gleaming fair and open, Sylvester's so dark
and shut--stood there to be compared. Her guardian, indeed!
Dickie dressed slowly and dragged himself down to the desk, where very
soberly and sadly he gave the key of the linen room to Mary. Then he sat
down, turned on the Victor, and lit a cigarette. The "Duluth folks" had
gone without any assistance from him. There was nothing to do. It
occurred to Dickie, all at once, that in Millings there was always
nothing to do. Nothing, that is, for him to do. Perhaps, after all, he
didn't like Millings. Perhaps that was what was wrong with him.
The Victor was playing:
"Here comes Tootsie,
Play a little music on the band.
Here comes Tootsie,
Tootsie, you are looking simply grand.
Play a little tune on the piccolo and flutes,
The man who wrote the rag wrote it especially for Toots.
Here comes Tootsie--play a little music on the band."
On the last nasal note, the door of The Aura flew open and a resplendent
figure crossed the chocolate-colored varnish of the floor. Tootsie
herself was not more "simply grand." This was a young man, perhaps it
would be more descriptive to say _the_ young man that accompanies _the_
young woman on the cover of the average American magazine. He had--a
nose, a chin, a beautiful mouth, large brown eyes, wavy chestnut ha
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