odious structure with their own hands,
the fall of which, it is well known, brought in the classic Greek and
republican simplicity, the subtle meaning of the change being expressed
in French gowns. Naturally there was a reaction from all this towards
aristocratic privileges and exclusiveness, which went on for many years,
until in France monarchy and empire followed the significant leadership
of the French modistes. So strong was this that it passed to other
countries, and in England the impulse outlasted even the Reform Bill, and
skirts grew more and more bulbous, until it did not need more than three
or four women to make a good-sized assembly. This was not the result of,
a whim about clothes, but a subtle recognition of a spirit of
exclusiveness and defense abroad in the world. Each woman became her own
Bastile. Men surrounded it and thundered against it without the least
effect. It seemed as permanent as the Pyramids. At every male attack it
expanded, and became more aggressive and took up more room. Women have
such an exquisite sense of things--just as they have now in regard to big
obstructive hats in the theatres. They know that most of the plays are
inferior and some of them are immoral, and they attend the theatres with
head-dresses that will prevent as many people as possible from seeing the
stage and being corrupted by anything that takes place on it. They object
to the men seeing some of the women who are now on the stage. It
happened, as to the private Bastiles, that the women at last recognized a
change in the sociological and political atmosphere of the world, and
without consulting any men of affairs or caring for their opinion, down
went the Bastiles. When women attacked them, in obedience to their
political instincts, they collapsed like punctured balloons. Natural
woman was measurably (that is, a capacity of being measured) restored to
the world. And we all remember the great political revolutionary
movements of 1848.

Now France is still the arbiter of the modes. Say what we may about
Berlin, copy their fashion plates as we will, or about London, or New
York, or Tokio, it is indisputable that the woman in any company who has
on a Paris gown--the expression is odious, but there is no other that in
these days would be comprehended--"takes the cake." It is not that the
women care for this as a mere matter of apparel. But they are sensitive
to the political atmosphere, to the philosophical significance t