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pretty woman, sitting in fire-side talk with her brother, in the gray depths of her inhospitable-looking house--what had he to say to her? She seemed enveloped in a sort of fantastic privacy; on what grounds had he pulled away the curtain? For a moment he felt as if he had plunged into some medium as deep as the ocean, and as if he must exert himself to keep from sinking. Meanwhile he was looking at Madame de Cintre, and she was settling herself in her chair and drawing in her long dress and turning her face towards him. Their eyes met; a moment afterwards she looked away and motioned to her brother to put a log on the fire. But the moment, and the glance which traversed it, had been sufficient to relieve Newman of the first and the last fit of personal embarrassment he was ever to know. He performed the movement which was so frequent with him, and which was always a sort of symbol of his taking mental possession of a scene--he extended his legs. The impression Madame de Cintre had made upon him on their first meeting came back in an instant; it had been deeper than he knew. She was pleasing, she was interesting; he had opened a book and the first lines held his attention. She asked him several questions: how lately he had seen Mrs. Tristram, how long he had been in Paris, how long he expected to remain there, how he liked it. She spoke English without an accent, or rather with that distinctively British accent which, on his arrival in Europe, had struck Newman as an altogether foreign tongue, but which, in women, he had come to like extremely. Here and there Madame de Cintre's utterance had a faint shade of strangeness but at the end of ten minutes Newman found himself waiting for these soft roughnesses. He enjoyed them, and he marveled to see that gross thing, error, brought down to so fine a point. "You have a beautiful country," said Madame de Cintre, presently. "Oh, magnificent!" said Newman. "You ought to see it." "I shall never see it," said Madame de Cintre with a smile. "Why not?" asked Newman. "I don't travel; especially so far." "But you go away sometimes; you are not always here?" "I go away in summer, a little way, to the country." Newman wanted to ask her something more, something personal, he hardly knew what. "Don't you find it rather--rather quiet here?" he said; "so far from the street?" Rather "gloomy," he was going to say, but he reflected that that would be impolite. "Yes, it is
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