NZ, ENRICO
CORN (grain) COSENZA
CORN (outgrowth of the skin) COSHOCTON
CORNARO, CATERINA COSIN, JOHN
CORNARO, LUIGI COSMAS (of Alexandria)
CORNBRASH COSMAS (of Prague)
CORNEILLE, PIERRE COSMATI
CORNEILLE, THOMAS COSMIC
CORNELIA COSMOGONY
CORNELIUS COSMOPOLITAN
CORNELIUS, CARL AUGUST PETER COSNE
CORNELIUS, PETER VON COSSA, LUIGI
CORNELL UNIVERSITY COSSA, PIETRO
CORNET COSSACKS
CORNETO TARQUINIA COSSIMBAZAR
CORNICE COSTA, GIOVANNI
CORNIFICIUS COSTA, LORENZO
CORNING, ERASTUS COSTA, SIR MICHAEL ANDREW AGNUS
CORNING COSTAKI, ANTHOPOULOS
CORN LAWS COSTANZO, ANGELO DI
CORN-SALAD COSTA RICA
CORNU, MARIE ALFRED COSTELLO, DUDLEY
CORNU COPIAE COSTER-MONGER
CORNUS COSTS
CORNUTUS, LUCIUS ANNAEUS COSTUME
CORNWALL (city of Canada)

COQUELIN, BENOIT CONSTANT (1841-1909), French actor, known as Coquelin
_aine_, was born at Boulogne on the 23rd of January 1841. He was
originally intended to follow his father's trade of baker (he was once
called _un boulanger manque_ by a hostile critic), but his love of
acting led him to the Conservatoire, where he entered Regnier's class in
1859. He won the first prize for comedy within a year, and made his
debut on the 7th of December 1860 at the Comedie Francaise as the comic
valet, Gros-Rene, in Moliere's _Depit amoureux_, but his first great
success was as Figaro, in the following year. He was made _societaire_
in 1864, and during the next twenty-two years he created at the Francais
the leading parts in forty-four new plays, including Theodore de
Banville's _Gringoire_ (1867), Paul Ferrier's _Tabarin_ (1871), Emile
Augier's _Paul Forestier_ (1871), _L'Etrangere_ (1876) by the younger
Dumas, Charles Lomon's _Jean Dacier_ (1877), Edward Pailleron's _Le
Monde ou l'on s'ennuie_ (1881), Erckmann and Chatrian's _Les Rantzau_
(1884). In consequence of a dispute with the authorities over the
question of his right to make provincial tours in France he resigned in
1886. Three years