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h manner the wise Merlin withdrew from the world of men to remain ever in the Joyous Garden with Vivien. Love had triumphed over wisdom. The Arthurian version of the story does not, of course, represent Vivien as does the old Breton legend. In Geoffrey of Monmouth's book and in the _Morte d'Arthur_ she is drawn as the scheming enchantress who wishes to lure Merlin to his ruin for the joy of being able to boast of her conquest. In some romances she is alluded to as Nimue, and in others is described as the daughter of Dyonas, who perhaps is the same as Dylan, a Brythonic (British) sea-god. As the Lady of the Lake she is the foster-mother of Lancelot, and we should have no difficulty in classing her as a water deity or spirit very much like the Korrigan. _Merlin_ But Merlin is a very different character, and it is probable that the story of his love for Vivien was composed at a comparatively late date for the purpose of rounding off his fate in Arthurian legend. A recent hypothesis concerning him is to the effect that "if he belongs to the pagan period [of Celtic lore] at all, he was probably an ideal magician or god of magicians."[27] Canon MacCulloch smiles at the late Sir John Rhys's belief that Merlin was "a Celtic Zeus," but his later suggestion seems equally debatable. We must remember that we draw our conception of Merlin as Arthurian archimagus chiefly from late Norman-French sources and Celtic tradition. Ancient Brythonic traditions concerning beings of much the same type as Merlin appear to have existed, however, and the character of Lailoken in the life of St Kentigern recalls his life-story. So far research on the subject seems to show that the legend of Merlin is a thing of complex growth, composed of traditions of independent and widely differing origin, most of which were told about Celtic bards and soothsayers. Merlin is, in fact, the typical Druid or wise man of Celtic tradition, and there is not the slightest reason for believing that he was ever paid divine honours. As a soothsayer of legend, he would assuredly belong to the pagan period, however much he is indebted to Geoffrey of Monmouth for his late popularity in pure romance. _The Fountain of Baranton_ In the country of Broceliande lies the magic fountain of Baranton, sequestered among hills and surrounded by deep woods. Says a thirteenth-century writer of this fountain: "Oh, amazing wonder of the Fountain of Brecelien! If a drop be
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