h manner the wise
Merlin withdrew from the world of men to remain ever in the Joyous
Garden with Vivien. Love had triumphed over wisdom.
The Arthurian version of the story does not, of course, represent
Vivien as does the old Breton legend. In Geoffrey of Monmouth's book
and in the _Morte d'Arthur_ she is drawn as the scheming enchantress
who wishes to lure Merlin to his ruin for the joy of being able to
boast of her conquest. In some romances she is alluded to as Nimue,
and in others is described as the daughter of Dyonas, who perhaps is
the same as Dylan, a Brythonic (British) sea-god. As the Lady of the
Lake she is the foster-mother of Lancelot, and we should have no
difficulty in classing her as a water deity or spirit very much like
the Korrigan.
_Merlin_
But Merlin is a very different character, and it is probable that the
story of his love for Vivien was composed at a comparatively late date
for the purpose of rounding off his fate in Arthurian legend. A recent
hypothesis concerning him is to the effect that "if he belongs to the
pagan period [of Celtic lore] at all, he was probably an ideal
magician or god of magicians."[27] Canon MacCulloch smiles at the late
Sir John Rhys's belief that Merlin was "a Celtic Zeus," but his later
suggestion seems equally debatable. We must remember that we draw our
conception of Merlin as Arthurian archimagus chiefly from late
Norman-French sources and Celtic tradition. Ancient Brythonic
traditions concerning beings of much the same type as Merlin appear to
have existed, however, and the character of Lailoken in the life of St
Kentigern recalls his life-story. So far research on the subject seems
to show that the legend of Merlin is a thing of complex growth,
composed of traditions of independent and widely differing origin,
most of which were told about Celtic bards and soothsayers. Merlin is,
in fact, the typical Druid or wise man of Celtic tradition, and there
is not the slightest reason for believing that he was ever paid divine
honours. As a soothsayer of legend, he would assuredly belong to the
pagan period, however much he is indebted to Geoffrey of Monmouth for
his late popularity in pure romance.
_The Fountain of Baranton_
In the country of Broceliande lies the magic fountain of Baranton,
sequestered among hills and surrounded by deep woods. Says a
thirteenth-century writer of this fountain:
"Oh, amazing wonder of the Fountain of Brecelien! If a drop be
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