1 foot 9-1/2 inches broad,
and that the woods employed are pear and walnut, oak, maple, box,
mahogany, palisander, and one as hard as birch in texture. A full
description of it as it originally was is appended in a note taken from
Della Valle's "Lettere Senese." It was valued by Fra Giovanni of Verona
at 3990 lire. While this work was in progress he made the benches and
other wood-work in the Cathedral Library for Francesco Piccolomini at a
cost of 2000 lire, and did other work for private persons. Another
great work was the choir of the Certosa of Maggiano, which has entirely
disappeared. He was not only intarsiatore, but was much employed by the
commune on architectural works. In 1484 he was sent to rebuild the
bridge of Buonconvento, broken by a flood of the Ombrone, and in the
same year, with Francesco di Giorgio, and on equal terms with him,
restored the bridge of Macereto. In 1495 he was asked to make designs
and models for a bastion to be erected over against the bridge of
Valiano, taken by the Florentines. Owing to a bad guard being kept this
was taken, and between 1498 and 1500 Barili was sent again to rebuild it
larger and stronger. Finally, in 1503, he was sent to make designs and
models of the new walls for the fortifications of Talamone, an important
coast town. In his intarsias he was helped by his nephew, Giovanni,
whose salary, when working for Leo X. at Rome, was five ducats a month.
He died in 1516.[2]
[Illustration: Plate 23.--_Panel from S. Petronio, Bologna._]
[Illustration: Plate 24.--_Panel from S. Petronio, Bologna._
_To face page 39._]
[Illustration: _To face page 40._
Plate 25.--_Panel from S. Miniato, Florence._]
[Illustration: Plate 26.--_Panel from S. Maria Novella, Florence._
_To face page 42._]
Other names mentioned by Vasari are Baccio Albini and his pupil Girolamo
della Cecca, _pipers to the signoria_, as good intarsiatori who worked
also in ivory when Benedetto da Majano was yet a young man, and
David of Pistoia and Geri of Arezzo, who decorated the choir and pulpit
of S. Agostino in the latter town. Geri also made intarsie for S.
Michele, Arezzo. Milanesi says Girolamo della Cecca was of Volterra,
and calls Baccio, di Andrea Cellini; he was in Hungary in 1480 with his
brother Francesco; they were brothers of Giovanni, who was father of
Benvenuto and piper also. The stalls in S. Miniato, Florence, were made
in 1466 by Francesco Manciatto and Domenico da Gajuolo; but per
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