logy with imagination. 151
Sec. 9. The grasp and dignity of imagination. 152
Sec. 10. Its limits. 153
Sec. 11. How manifested in treatment of uncertain relations. Its
deficiency illustrated. 154
Sec. 12. Laws of art, the safeguard of the unimaginative. 155
Sec. 13. Are by the imaginative painter despised. Tests of imagination. 155
Sec. 14. The monotony of unimaginative treatment. 156
Sec. 15. Imagination never repeats itself. 157
Sec. 16. Relation of the imaginative faculty to the theoretic. 157
Sec. 17. Modification of its manifestation. 158
Sec. 18. Instances of absence of imagination.--Claude, Gaspar Poussin. 158
Sec. 19. Its presence.--Salvator, Nicolo Poussin, Titian, Tintoret. 159
Sec. 20. And Turner. 160
Sec. 21. The due function of Associative imagination with respect to
nature. 161
Sec. 22. The sign of imaginative work is its appearance of absolute
truth. 161

CHAPTER III.--Of Imagination Penetrative.

Sec. 1. Imagination penetrative is concerned not with the combining
but apprehending of things. 163
Sec. 2. Milton's and Dante's description of flame. 163
Sec. 3. The imagination seizes always by the innermost point. 164
Sec. 4. It acts intuitively and without reasoning. 165
Sec. 5. Signs of it in language. 165
Sec. 6. Absence of imagination, how shown. 166
Sec. 7. Distinction between imagination and fancy. 166
Sec. 8. Fancy how involved with imagination. 168
Sec. 9. Fancy is never serious. 169
Sec. 10. Want of seriousness the bar to high art at the present time. 169
Sec. 11. Imagination is quiet; fancy, restless. 170
Sec. 12. The detailing operation of fancy. 170
Sec. 13. And suggestive, of the imagination.