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ief outline of photographic history will show a parallel to the permutative impulse so conspicuous in the progress of electricity. At the points where the electrician and the photographer collaborate we shall note achievements such as only the loftiest primal powers may evoke. A brief story of what electricity and its necessary precursor, fire, have done and promise to do for civilization, may have attraction in itself; so, also, may a review, though most cursory, of the work of the camera and all that led up to it: for the provinces here are as wide as art and science, and their bounds comprehend well-nigh the entirety of human exploits. And between the lines of this story we may read another--one which may tell us something of the earliest stumblings in the dawn of human faculty. When we compare man and his next of kin, we find between the two a great gulf, surely the widest betwixt any allied families in nature. Can a being of intellect, conscience, and aspiration have sprung at any time, however remote, from the same stock as the orang and the chimpanzee? Since 1859, when Darwin published his "Origin of Species," the theory of evolution has become so generally accepted that to-day it is little more assailed than the doctrine of gravitation. And yet, while the average man of intelligence bows to the formula that all which now exists has come from the simplest conceivable state of things,--a universal nebula, if you will,--in his secret soul he makes one exception--himself. That there is a great deal more assent than conviction in the world is a chiding which may come as justly from the teacher's table as from the preacher's pulpit. Now, if we but catch the meaning of man's mastery of electricity, we shall have light upon his earlier steps as a fire-kindler, and as a graver of pictures and symbols on bone and rock. As we thus recede from civilization to primeval savagery, the process of the making of man may become so clear that the arguments of Darwin shall be received with conviction, and not with silent repulse. As we proceed to recall, one by one, the salient chapters in the history of fire, and of the arts of depiction that foreran the camera, we shall perceive a truth of high significance. We shall see that, while every new faculty has its roots deep in older powers, and while its growth may have been going on for age after age, yet its flowering may be as the event of a morning. Even as our gardens show us t
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