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nd style of Holmes. The sensation was new, like that of a sixth sense. The newspapers quoted from the "Autocrat;" it was everywhere talked about, and in a short time its fame went through the nation. The "Autocrat" was succeeded by the "Professor" and the "Poet." The talk of the "Professor" was somewhat more abstruse, though equally interesting to cultivated readers. The "Poet" attacked the dogma of the endless duration of future punishment. The "Autocrat" was easily superior in freshness as in popularity. Two novels also appeared--"Elsie Venner" and "The Guardian Angel." They have undoubted merits, showing the keen thought, the descriptive power, and the play of fancy which are so characteristic of the author, and each has a subtle motive to which the characteristic incidents are made subservient. But Dr. Holmes is not great as a novelist as he is great in other things. The stories in one aspect are ambulatory psychological problems, rather than fresh studies of characters conceived without favoritism, with blended good and evil, wisdom and weakness--as God creates them. To produce new types, of universal interest, is given to few novelists. There have been scarcely more than a score of such creators since Cadmus. It was with some surprise that I read lately a lament that Dr. Holmes had not written "a great novel"--a task which would have been as unsuitable to him as to Dr. Johnson or to Montaigne. It is not a question of a greater or less talent, but of a wholly different talent--as distinct as metaphysics and portrait-painting. The same critic complains because Holmes has not been "in earnest" like Carlyle. While the genius of that great writer is indisputable, I submit that one Carlyle in a generation is enough; another is impossible. That rugged Titan did his appointed work with fidelity. But is every author to lay about him with an iron flail? Is there no place for playful satirists of manners, for essayists who dissolve philosophy and science, who teach truth, manliness, and courtesy by epigram, and who make life beautiful with the glow of poetry? The magnolia cannot be the oak, although unhappy critics would have a writer be something which he is not. It is enough that Holmes has charmed myriads of readers who might never have felt his influence if he had been grimly in "earnest," and that he has inculcated high ideals of taste, character, and living. By the time Holmes had reached his fiftieth year he
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