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, the Carlyles removed to Mrs. Carlyle's little property of Craigenputtock, which, in a letter to Goethe, he described as "the loneliest nook in Britain, six miles removed from anyone likely to visit me," and there they lived for about six years. Carlyle subsisted during this period by writing for a number of reviews, including the _Edinburgh_, the _Westminster_, the _Foreign Quarterly_, and _Fraser's Magazine_. The chief of the essays which he produced at Craigenputtock are those on Burns, Samuel Johnson, Goethe, Voltaire, Diderot, and Schiller. He also wrote a "History of German Literature," the best parts of which were subsequently published in the form of essays; and in 1833-34 there appeared, by instalments in _Fraser's Magazine_, "Sartor Resartus," his most characteristic work, the fantastic hero of which, Diogenes Teufelsdroeckh, illustrates in his life and opinions the mystical and grotesque "Philosophy of Clothes." "Sartor Resartus" is notable in the literary history of Carlyle as revealing the Germanization of his mind, and his abandonment of the comparatively simple diction of his earlier essays for the thoroughly individual style of his later works--eruptive, ejaculatory, but always powerful, and often rising to an epic sublimity. Life at Craigenputtock was varied on the part of Carlyle by occasional visits to Edinburgh, in one of which the idea of writing his "French Revolution" occurred to him; by a residence of six months in London, during which he made the acquaintance of John Stuart Mill and John Sterling; and by visits from old friends like Jeffrey, and new admirers like Emerson. In 1830 Carlyle was reduced to great straits; and he had to borrow L50 from Jeffrey for the expenses of his journey to London, although he declined to accept an annuity of L100 from the same source. Having by 1834 again saved L200, Carlyle resolved to try his fortune in London, and on June 10th established himself in the house, 5 Cheyne Row, Chelsea, in which he lived till the day of his death. Here he settled down to the writing of his "French Revolution," which appeared in 1837. This enterprise was also put an end to in 1835, owing to the destruction, by a servant-girl, of all but four or five leaves of the manuscript of the first volume, which had been lent to John Stuart Mill. Carlyle accepted L100 from Mill as compensation for his loss. [Illustration: Carlyle at Chelsea.] In the years 1837, 1838, 1839, and 1840, Carl
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