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r the seashore. On reaching Ryde they fell in again, and halted near the fountain, two at a time falling out for drinks. At Smith's bookstall Akela bought a supply of "comics" to read in the train. On board the ship an adventure happened. Big Andy _of course_ dropped his cap overboard. The sea was rather rough and it seemed as if the cap must be lost, two stars and all. It was too far down to reach with the ship's mop or any stick. But luckily some thoughtful Cub had brought a long piece of string with an open safety-pin on the end, in hopes of catching a fish on the crossing. With this the cap was fished for, while the people on the pier and the first-class passengers on the upper deck looked on with eager interest. Akela thought there was no hope of ever seeing the cap again on Andy's head. She little knew that two pious Cubs were busy _praying_! Presently the cap was triumphantly pulled up, amidst cheers from the pier and the upper deck. "I prayed he'd get it!" cried a Cub. "And so did I!" exclaimed another. At Portsmouth there was a terrible crush for the train, but, as usual, the Cubs did well, for the kind guard gave them two first-class compartments and locked them in. And so they travelled back to dear, smoky old London, very much browner and a good deal fatter than when they set out. THE END PRINTED IN GREAT BRITAIN BY BILLING AND SONS, LTD., GUILDFORD AND ESHER * * * * * Transcriber's Notes: Obvious punctuation errors repaired. Page 42, "at" changed to "as" (important as Akela) End of the Project Gutenberg EBook of Stories of the Saints by Candle-Light, by Vera C. Barclay *** END OF THIS PROJECT GUTENBERG EBOOK STORIES OF SAINTS BY CANDLE-LIGHT *** ***** This file should be named 26130.txt or 26130.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/6/1/3/26130/ Produced by Chris Curnow, Lindy Walsh, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms
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