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g in ambush, rushed at him and stopped him where he was. A moment he waited for it to die down, then dragged himself to the steps, up the steps, his ruined hind leg hitting each one like a rag tied in a knot and frozen. By the big front door he sat down and raised to it his suffering eyes. A hundred times it had opened to his whim; now in his need it barred his way. Gathering all his remaining strength, he raised his paw--the paw he shook hands with--and scratched. There was no sound from within. Once more--it would be the last time, so heavy had his leg become--he raised his paw and scratched. Then careless of all things, of master and mistress, of life and death, he sank down before the door and laid his head on the sill. He never knew how it happened. He only knew there was a burst of light in his eyes, and somebody had picked him up. Then faces were bent close to him; something hot and gagging was being poured down his throat; a voice--the most commanding voice in all the world--ordered him to swallow, swallow. And now he saw before him, as he lay on his side, a roaring fire whose flames licked and twisted among oak logs piled high into the chimney. Strange that he had not known that fire all the time; that he had not known who these people were. But then he had been on a long journey, and he was tired, very tired. He must tell them he knew now, let them know he appreciated what they were doing. He always did that even with strangers, and these--they were his master, his mistress, his Tommy. He must---- It was Tommy's shrill voice that broke the silence. "Look, Papa, look, look! He wagged his tail. He wagged his old tail!" THE END End of Project Gutenberg's Frank of Freedom Hill, by Samuel A. Derieux *** END OF THIS PROJECT GUTENBERG EBOOK FRANK OF FREEDOM HILL *** ***** This file should be named 25991.txt or 25991.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/2/5/9/9/25991/ Produced by Suzanne Shell, Martin Pettit, and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. S
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