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offence, and it now being generally reputed a most vile acte, no man will presume to transgresse these lawes, and every man is a law to himself therein.' But in this 'enlightened' age, when we are held to be above the need of such legislation, there is nothing to prevent the archaeologist from practising his hobby where and when he please--so long as he avoids the churchyards. 'Tush,' he cries, 'here lies an ancient heathen who was not even buried in consecrated ground. We may find some curious relics buried with him. Up with his bones.' 'Freedom for all men' may be a glorious motto, yet when we view these crimes (and the carved initials which deface so many of our most sacred monuments) we cannot but muse that there are many who should never be free--at least from the restraint of discipline. 'None can love freedom heartily, but good men: the rest love not freedom, but licence.'[43] FOOTNOTES: [32] There are 242 pages in this editio princeps, after which should come a leaf with (_a_) blank (_b_) device of John Hervey or Hervagius. It was english'd by Thomas Underdowne, and published in small octavo by Frauncis Coldocke, at the sign of the greene Dragon in Paules churchyeard, in 1587. [33] "Il estoit bon musicien, tres-bon Poete Francois et Italien, se delectant singulierement a lire les belles et naifues rithmes de nos Poetes Prouencaux . . . . . . . tellement qu'il a compose en son temps plusieurs beaux et gracieux Romans comme _La conqueste de la douce mercy, et Le mortifiement de vaine plaisance_ . . . . . Mais sur toutes choses aimoit il d'un amour passionnez la peinture . . . . . qu'il estoit en bruit et reputation entre les plus excellents Peintres et Enlumineurs de son temps." (Nostradamus). He had a fine library which contained all the most celebrated compositions of the Provencal poets and troubadours. [34] It was quite a dramatic scene. Bertrand taunted the Prince until the latter named a sum; and to his surprise De Guesclin at once cried "Done!" and all at the table sprang to their feet. "Oh Sir," they cried to the Prince, "what have you done!" "I hold you to your word," cried Du Guesclin--and so it was. See Hay du Chastelet, Claude Menard, and other biographers, also the Inventaire des Chartres, tome VI. (See also footnote on page 216.) [35] This great romance does not appear ever to have been translated into English, which is somewhat strange, for its hero, Perceforest, was King of England, and
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