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irst sketches which have been preserved more than the number of attempts which mark the growth of the idea in the composer's mind, until it assumed its final form. Yet there was no trace in the finished work of the process of refining and elaboration through which it had passed. Very curious was the origin of some of the suggestions which found their way into the sketch-books. It was Beethoven's practice to keep one of these books by his bedside, in case an idea occurred to him during the night, and it is told that he was once aroused by the knocking of a neighbour who had been accidentally locked out of his house in the small hours of the morning. The irate neighbour knocked four raps at a time, with a pause at the end of every fourth rap, and the rhythmic regularity of the sounds not only startled Beethoven out of his sleep, but suggested a musical idea to his mind. Up jumped the composer, and down went the idea in his sketch-book, and the next morning the jotting was included in one of his most striking compositions--the 'Violin Concerto in D,' where the passage, given to the drums, is many times repeated. A village which formed one of his favourite resorts was Heiligenstadt, situated about seven miles from Vienna. Here he went in the summer of 1802, after a severe illness. For some time past he had been suffering from increasing deafness, and the malady seemed now to have reached an acute stage, so that his country surroundings failed to exercise their accustomed charm, and he fell into a deep melancholy. Indeed, he appeared to have become impressed with the idea that his life-work was ended, and that he had nothing to look forward to but the companionship of an affliction which must sever him from the social intercourse in which he delighted, and render his remaining years solitary and miserable. It would be difficult to imagine a more terrible calamity than that which had befallen Beethoven, or to exaggerate its effects upon an over-sensitive nature such as he possessed. As his deafness increased, his efforts to conceal the results of the malady from those outside his own immediate circle became more and more painfully evident. No one failed to observe how he was affected, yet none dared to commiserate with him; and when he discovered that his mistakes were drawing public attention to what he was so anxious to hide, his mortification was intensified to a degree that for the time destroyed his peace of mind and
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