to report upon how vitally compelling the writer makes his selected
facts or incidents. This test may be conveniently called the test of
substance.

But a second test is necessary if the story is to take rank above other
stories. The true artist will seek to shape this living substance into
the most beautiful and satisfying form, by skilful selection and
arrangement of his materials, and by the most direct and appealing
presentation of it in portrayal and characterization.

The short stories which I have examined in this study, as in previous
years, have fallen naturally into four groups. The first consists of
those stories which fail, in my opinion, to survive either the test of
substance or the test of form. These stories are listed in the year book
without comment or a qualifying asterisk. The second group consists of
those stories which may fairly claim that they survive either the test
of substance or the test of form. Each of these stories may claim to
possess either distinction of technique alone, or more frequently, I am
glad to say, a persuasive sense of life in them to which a reader
responds with some part of his own experience. Stories included in this
group are indicated in the yearbook index by a single asterisk prefixed
to the title.

The third group, which is composed of stories of still greater
distinction, includes such narratives as may lay convincing claim to a
second reading, because each of them has survived both tests, the test
of substance and the test of form. Stories included in this group are
indicated in the yearbook index by two asterisks prefixed to the title.

Finally, I have recorded the names of a small group of stories which
possess, I believe, the even finer distinction of uniting genuine
substance and artistic form in a closely woven pattern with such
sincerity that these stories may fairly claim a position in American
literature. If all of these stories by American authors were
republished, they would not occupy more space than five novels of
average length. My selection of them does not imply the critical belief
that they are great stories. A year which produced one great story would
be an exceptional one. It is simply to be taken as meaning that I have
found the equivalent of five volumes worthy of republication among all
the stories published during the period under consideration. These
stories are indicated in the yearbook index by three asterisks prefixed
to the title, and a