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"You're a king," declared the flapper in a burst of frankness. "Eh?" said Bean, a little startled. "Just a perfectly little old king," persisted the flapper with dreamy certitude. "Never fooled little George W. Me. Knew it the very first second. Went over me just like _that_." "Oh, I'm no king; never was a king; rabbit, I guess. Little old perfectly upstart rabbit, that's what!" "What am I?" asked the flapper pointedly. "Little old flippant flapper, that's what! But you're my Chubbins just the same; my Chubbins!" and he very softly put his hand to her cheek. "_Monsieur et Madame sont servi_," said the waiter. He was in the doorway but discreetly surveyed the evening sky through an already polished wine-glass held well aloft. * * * * * The three perfectly taggers meeting their just due, consulted miserably as they gathered about a telephone in Paris the following morning. The Demon had answered the call. "Says she has it all reasoned out," announced the Demon. "'S what she said before," grunted Breede. "Tha's nothing new." "And she says we're snoop-cats and we might as well go back home--now," continued the Demon. "Says she's got the--u-u-m-mm!--says to perfectly quit tagging." "Nothing can matter now," said the bereaved mother. "He's talking himself," said the Demon. "Mercy he's got a new voice ... sounds like another man. He says if we don't beat it out of here by the next boat--he can imagine nothing of less--something or other I can't hear--" "--consequence," snapped Breede. "Yes, that's it; and now he's laughing and telling her she's a perfectly flapper." "Oh, my poor child," murmured the mother. "Puzzle t' me," said Breede. "I swear I can't make out just how many kinds of a--" "James!" said his wife sternly, and indicated the presence of several interested foreigners. ***END OF THE PROJECT GUTENBERG EBOOK BUNKER BEAN*** ******* This file should be named 15743.txt or 15743.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/5/7/4/15743 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royaltie
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