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is own. Intently and long he studied each detail, nostrils, eyebrows, ears, hair, the tips of the just-revealed teeth. "God!" he breathed. It was hardly more than a whisper and was uttered in all reverence. Then-- "_God! how I've changed!_" VIII On the following afternoon, among the Sunday throng in the Metropolitan Museum of Art, a slender young man of inconsiderable stature, alert as to movement, but with an expression of absent dreaming, might have been observed giving special attention to the articles in those rooms devoted to ancient Egypt. Doubtless, however, no one did observe him more than casually, for, though of singularly erect carriage, he was garbed inconspicuously in neutral tints, and his behaviour was never such as to divert attention from the surrounding spoils of the archaeologist. Had his mind been as an open book, he would surely have become a figure of interest. His mental attitude was that of a professional beau of acknowledged preeminence; he was comparing the self at home in the mummy case with the remnants of defunct Pharaohs here exposed under glass, and he was sniffing, in spirit, at their lack of kingly dignity and their inferior state of preservation. Their wooden cases were often marred, faded, and broken. Their shrouding linen was frayed and stained. Their features were unimpressive and, in too many instances, shockingly incomplete. They looked very little like kings, and the laudatory recitals of their one-time greatness, translated for the contemporary eye, seemed to be only the vapourings of third-class pugilists. Sneering openly at a damaged Pharaoh of the fourth dynasty, he reflected that some day he would confer upon that museum a relic transcending all others. He saw it enshrined in a room by itself; it should never be demeaned by association with those rusty cadavers he saw about him. This would be when he had passed on to another body, in accordance with the law of Karma. He would leave a sum to the museum authorities, specifically to build this room, and to it would come thousands, for a glimpse of the superior Ram-tah, last king of the pre-dynastic period, surviving in a state calculated to impress every beholder with his singular merits. Ram-tah, cheated of his place in history's pantheon, should here at last come into his own; serene, beauteous, majestic, looking every inch a king, where mere Pharaohs looked like--like the coffee-stained, untidy fragment
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