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great importance, common financial interests. These bonds often suffice for substantial and lasting unanimity, even when no ideal passion preceded; so that what is called a marriage of reason, if it is truly reasonable, may give a fair promise of happiness, since a normal married life can produce the sympathies it requires. [Sidenote: Between master and disciple.] When the common ideal interests needed to give friendship a noble strain become altogether predominant, so that comradeship and personal liking may be dispensed with, friendship passes into more and more political fellowships. Discipleship is a union of this kind. Without claiming any share in the master's private life, perhaps without having ever seen him, we may enjoy communion with his mind and feel his support and guidance in following the ideal which links us together. Hero-worship is an imaginative passion in which latent ideals assume picturesque shapes and take actual persons for their symbols. Such companionship, perhaps wholly imaginary, is a very clear and simple example of ideal society. The unconscious hero, to be sure, happens to exist, but his existence is irrelevant to his function, provided only he be present to the idealising mind. There is or need be no comradeship, no actual force or influence transmitted from him. Certain capacities and tendencies in the worshipper are brought to a focus by the hero's image, who is thereby first discovered and deputed to be a hero. He is an unmoved mover, like Aristotle's God and like every ideal to which thought or action is directed. The symbol, however, is ambiguous in hero-worship, being in one sense ideal, the representation of an inner demand, and in another sense a sensible experience, the representative of an external reality. Accordingly the symbol, when highly prized and long contemplated, may easily become an idol; that in it which is not ideal nor representative of the worshipper's demand may be imported confusedly into the total adored, and may thus receive a senseless worship. The devotion which was, in its origin, an ideal tendency grown conscious and expressed in fancy may thus become a mechanical force vitiating that ideal. For this reason it is very important that the first objects to fix the soul's admiration should be really admirable, for otherwise their accidental blemishes will corrupt the mind to which they appear _sub specie boni_. [Sidenote: Conflict between ideal and nat
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