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le in the following order_: ROSALIE, C.; CROSBY L. _of_ ROSALIE; MISS ERSKINE, MISS STANDISH, TRENT, MISS EASTWOOD; MASON; HELEN; MRS. TRENT; STANDISH _and_ MRS. CROSBY; WILLIAM _sits on_ ROSALIE'S _right side. This will bring_ WALES _sitting at_ C. _with his back to the audience_. ROSALIE _directly opposite up stage facing him. The thirteen chairs in the circle consist of two brought from the fireplace, two from the table_ R., _eight from the room_ R.C., _and the armchair_ L.C., _which is moved_ C. _and used by_ ROSALIE. _As they are being seated there is a general buzz of conversation as follows_:--) MISS ERSKINE. I'm to sit next to you, Mr. Crosby. CROSBY. I've always wanted to hold your hand, my dear. MRS. CROSBY. Don't trust him, Daisy. MISS ERSKINE. I won't, Mrs. Crosby. MISS STANDISH. I'll chaperone them. MASON (_to_ HELEN). Will you sit by me? TRENT. I'll take this place then. MISS EASTWOOD. I'm really getting quite a thrill. (ROSALIE _laughs_.) What's the joke, Madame la Grange? (MRS. TRENT _moves outside of circle to_ R.C., _then sits_.) ROSALIE. I did not know anything could give to you a thrill. MISS EASTWOOD. You don't like me, do you, Madame la Grange? ROSALIE. Oh, mademoiselle, I am indeed very fond of you. WALES (_standing below circle_ R.C.). I think we're all ready. (_The others are all seated and_ WALES _is about to sit down_.) MISS ERSKINE (_counting hurriedly_). Oh! There are thirteen of us. Don't sit there, Mr. Wales. WALES. Oh, I don't mind those little superstitions. (_Sits down stage side of circle between_ HELEN _and_ MRS. TRENT.) MRS. CROSBY. What do we do now? ROSALIE. Now, will you please all join your 'ands, and then sit very, _very_ quiet. Do not try to think of anything. TRENT. By Jove, that'll be easy for me. (_The others laugh_.) WALES. We can't get any results if you treat this as a joke. (_All laugh_.) STANDISH. Oh, let's be serious. MISS ERSKINE. Why, Howard? STANDISH. Well, there might be something in it. Anyhow, it's only fair to do what Madame la Grange wants. I suppose you'd like the lights out? I've always understood that was necessary. ROSALIE. We shall 'ave better results in that way. CROSBY. Right! (_He rises, goes to door_ L., _and switches off light. This leaves only the two table lamps_ R. _and_ L. _of the chesterfield_ C. _still lit. All other lights on scene out. Crosses back to his chair--turns out table lamp_
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