wildest
imagination can scarcely fancy a transition between them. A comparison
may make my meaning clearer as to the relative standing of these groups.
The Epic Poem is a higher order of composition than the Song,--yet we
may have an Epic Poem which, from its inferior mode of execution, stands
lower than a Song that is perfect of its kind. So the plan of certain
branches is more comprehensive and includes higher possibilities than
that of others, while at the same time there may be species in which the
higher plan is executed in so simple a manner that it places their
organization below some more highly developed being built on a lower
plan. It is a poor comparison, because everything that God has made is
perfect of its kind and in its place, though relatively lower or higher;
yet it is only by comparison of what is after all akin,--of mind with
mind,--even though so far apart as the works of the divine and the human
reason, that we may arrive at some idea, however dim, of the mental
operations of the Creative Intellect.
It is, then, in their whole bulk that any one of these groups is above
any other. We may represent the relative positions of the classes by a
diagram in which each successive class in every type starts at a lower
point than that at which the preceding class closes. Taking the Polyps
as the lowest class of Radiates, for instance, its highest animals rise
above the lowest members of the Acalephs, but then the higher members of
the class of Acalephs reach a point far above any of the Polyps,--and so
on.
RADIATES. MOLLUSKS. ARTICULATES. VERTEBRATES.
| | | |
| | | | |
| | | | | | | Mammalia.
| | | | | | | |
| | Echinoderms. | | Cephalopoda. | | Insects. | | Birds.
| | | | | | | |
| Acalephs. | Gasteropoda. | Crustacea. | Reptiles.
| | | |
Polyps. Acephala. Worms Fishes.
If this view be correct, it sets aside the possibility of any
uninterrupted series based on absolute superiority or inferiority of
structure, on which so much ingenuity and intellectual power have been
wasted.
But it is not merely upon the stru
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