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wildest imagination can scarcely fancy a transition between them. A comparison may make my meaning clearer as to the relative standing of these groups. The Epic Poem is a higher order of composition than the Song,--yet we may have an Epic Poem which, from its inferior mode of execution, stands lower than a Song that is perfect of its kind. So the plan of certain branches is more comprehensive and includes higher possibilities than that of others, while at the same time there may be species in which the higher plan is executed in so simple a manner that it places their organization below some more highly developed being built on a lower plan. It is a poor comparison, because everything that God has made is perfect of its kind and in its place, though relatively lower or higher; yet it is only by comparison of what is after all akin,--of mind with mind,--even though so far apart as the works of the divine and the human reason, that we may arrive at some idea, however dim, of the mental operations of the Creative Intellect. It is, then, in their whole bulk that any one of these groups is above any other. We may represent the relative positions of the classes by a diagram in which each successive class in every type starts at a lower point than that at which the preceding class closes. Taking the Polyps as the lowest class of Radiates, for instance, its highest animals rise above the lowest members of the Acalephs, but then the higher members of the class of Acalephs reach a point far above any of the Polyps,--and so on. RADIATES. MOLLUSKS. ARTICULATES. VERTEBRATES. | | | | | | | | | | | | | | | | Mammalia. | | | | | | | | | | Echinoderms. | | Cephalopoda. | | Insects. | | Birds. | | | | | | | | | Acalephs. | Gasteropoda. | Crustacea. | Reptiles. | | | | Polyps. Acephala. Worms Fishes. If this view be correct, it sets aside the possibility of any uninterrupted series based on absolute superiority or inferiority of structure, on which so much ingenuity and intellectual power have been wasted. But it is not merely upon the stru
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