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er, 'ardly able to contain hisself. "While I was trying to make up my mind," ses old Isaac, "I see a man with a barrer of lovely plants. 'E wasn't asking money for 'em, only old clothes." "Old clothes?" ses Ginger, in a voice as if 'e was being suffocated. "I thought they'd be a bit o' green for you to look at," ses the old man, 'olding the plants up; "there's no knowing 'ow long you'll be up there. The big one is yours, Ginger, and the other is for Peter." "'Ave you gone mad, Isaac?" ses Peter, in a trembling voice, arter Ginger 'ad tried to speak and couldn't. Isaac shook 'is 'ead and smiled up at 'em, and then, arter telling Peter to put Ginger's blanket a little more round 'is shoulders, for fear 'e should catch cold, 'e said 'e'd ask the landlady to send 'em up some bread and butter and a cup o' tea. They 'eard 'im talking to the landlady at the door, and then 'e went off in a hurry without looking behind 'im, and the landlady walked up and down on the other side of the road with 'er apron stuffed in 'er mouth, pretending to be looking at 'er chimney-pots. Isaac didn't turn up at all that night, and by next morning those two unfortunate men see 'ow they'd been done. It was quite plain to them that Isaac 'ad been deceiving them, and Peter was pretty certain that 'e took the money out of the bed while 'e was fussing about making it. Old Isaac kept 'em there for three days, sending 'em in their clothes bit by bit and two shillings a day to live on; but they didn't set eyes on 'im agin until they all signed on aboard the Planet, and they didn't set eyes on their money until they was two miles below Gravesend. [Illustration: "Old Isaac kept 'em there for three days."] End of the Project Gutenberg EBook of The Money Box, by W.W. Jacobs *** END OF THIS PROJECT GUTENBERG EBOOK THE MONEY BOX *** ***** This file should be named 12201.txt or 12201.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/2/2/0/12201/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of
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