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either case be far from their proper name,) were in the early ages of Christianity tolerated in almost every place. Mr. Douce has furnished us with some curious remarks upon them in the eleventh volume of the _Archaeologia_, and Mr. Ellis in his new edition of _Brand's Popular Antiquities_. I am indebted to the first of these gentlemen for the knowledge that the inclosed etching, copied some time ago from a drawing by Mr. Joseph Harding, is allusive to the ceremony of the _feast of fools_, and does not represent a group of morris-dancers, as I had erroneously supposed. Indeed, Mr. Douce believes that many of the strange carvings on the _misereres_ in our cathedrals have references to these practices. And yet, to the honor of England, they never appear to have been equally common with us as in France.--According to Du Cange[108], the confraternity of the Conards or Cornards was confined to Rouen and Evreux. I have not been able to ascertain when they were suppressed; but they certainly existed in the time of Taillepied, in the beginning of the seventeenth century, about fifty years previously to which they dropped their original name of _Coqueluchers_. At this time too they had evidently degenerated from the primary object of their institution, "ridendo castigare mores atque in omne quod turpiter factum fuerat ridiculum immittere." Taillepied was an eye-witness of their practices; and he prudently contents himself with saying; "le fait est plus clair a le voir que je ne pourrois icy l'escrire." At a short distance from the palace is a small square, called the _Place de la Pucelle_, a name which it has but recently acquired, in lieu of the more familiar appellation of _le Marche aux Veaux_. The present title records one of the most interesting events in the history of Rouen, the execution of the unfortunate Joan of Arc, which is said to have taken place on the very spot now covered by the monument that commemorates her fate. Three different ones have in succession occupied this place. The first was a cross, erected in 1454, only twenty-four years after her death; for even at this early period, the King of France had obtained from Pope Calixtus IIIrd, a bull directing the revision of her sentence, and he had caused her innocence to be acknowledged. The second was a fountain of delicate workmanship, consisting of three tiers of columns placed one above the other, on a triangular plan, the whole decorated with arabesques an
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