a rich man can be proved from the ancient documents
relating to the properties recently acquired by the Improvement Trust in
and around Mandvi. For his name appears as chief owner in many of them; and
it seems clear that the spoils which he gathered from the sea formed the
basis of a goodly heritage upon dry land. He was an intimate friend of a
certain Parsi millionaire, whom the composer of the ballad has supposed to
be Sir Jamserji Jeejeebhoy, but who was more probably a member of the great
family of Wadia,--the original ship-builders and dock-masters of the East
India Company.
It chanced one day that the Governor of Bombay (perhaps Lord Falkland or
Lord Elphinstone) wandered into Mandvi Koliwada and came suddenly upon the
Parsi and the Koli Patel sitting in converse with one another. Up rose the
Parsi millionaire and made obeisance; but the Koli quite indifferent and
not recognising the solitary "Topiwala," remained in his seat. His
Excellency's curiosity was aroused; and asking the Parsi the name of his
scantily-clad comrade, he was informed that the man was a rich fisherman,
who from time to time was accustomed to spread out his piles of gold and
silver in the street to dry. "And" added the Parsi, "so simple and
guileless is he that the people walk over the glittering heap with wax
on their feet, thus robbing him in open daylight; and yet he does
nought, believing that the pile of wealth must shrink even as his
piles of fish shrink, when placed in the sun to dry." Interested in the
man's personality, the Governor asked the Parsi to introduce the Patel to
him, and enquired whether he would grant some portion of his wealth to
Government. "Yes, as much as the Government may desire" was the ready
answer. "But" quoth his Excellency, "what will you ask of Government
in return?" "Only this," answered the Koli, "that Government will
grant me the exclusive privilege of roofing my house with silver tiles."
After some little discussion, a compromise was effected, and Zuran
Patel received permission, as a special mark of favour, to place a few
copper tiles above his house.
The house in Dongri Street, where Mahadev Dharma Patel now resides, is
reputed to be the identical house upon which the copper tiles were once
fixed. But many alterations have taken place, and the tiles have
disappeared. For many years, so runs the tale, they were preserved as a
sort of family escutcheon, being taken off the roof and fixed in a
conspicuou
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