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the cheque for the Lebenstein commission--a cheque which Colonel Clay handed to me with the utmost politeness, requesting to know whether or not it bore my signature. I caught Charles's eye at the end of the episode, and I venture to say the expression it wore was one of relief that I too had tripped over a trifling question of ten per cent on the purchase money of the castle. Altogether, I must admit, if it had not been for the police evidence, we would have failed to make a case against our man at all. But the police, I confess, had got up their part of the prosecution admirably. Now that they knew Colonel Clay to be really Paul Finglemore, they showed with great cleverness how Paul Finglemore's disappearances and reappearances in London exactly tallied with Colonel Clay's appearances and disappearances elsewhere, under the guise of the little curate, the Seer, David Granton, and the rest of them. Furthermore, they showed experimentally how the prisoner at the bar might have got himself up in the various characters; and, by means of a wax bust, modelled by Dr. Beddersley from observations at Bow Street, and aided by additions in the gutta-percha composition after Dolly Lingfield's photographs, they succeeded in proving that the face as it stood could be readily transformed into the faces of Medhurst and David Granton. Altogether, their cleverness and trained acumen made up on the whole for Charles's over-certainty, and they succeeded in putting before the jury a strong case of their own against Paul Finglemore. The trial occupied three days. After the first of the three, my respected brother-in-law preferred, as he said, not to prejudice the case against the prisoner by appearing in court again. He did not even allude to the little matter of the ten per cent commission further than to say at dinner that evening that all men were bound to protect their own interests--as secretaries or as principals. This I took for forgiveness; and I continued diligently to attend the trial, and watch the case in my employer's interest. The defence was ingenious, even if somewhat halting. It consisted simply of an attempt to prove throughout that Charles and I had made our prisoner the victim of a mistaken identity. Finglemore put into the box the ingenuous original of the little curate--the Reverend Septimus Porkington, as it turned out, a friend of his family; and he showed that it was the Reverend Septimus himself who had s
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