. His romances, since collected under
the title 'Batailles de la Vie', appeared first in 'Le Figaro,
L'Illustration, and Revue des Deux Mondes', and have been exceedingly
well received by the public. This relates also to his dramas, some of
his works meeting with a popular success rarely extended to any author.
For some time Georges Ohnet did not find the same favor with the
critics, who often attacked him with a passionate violence and unusual
severity. True, a high philosophical flow of thoughts cannot be detected
in his writings, but nevertheless it is certain that the characters and
the subjects of which he treats are brilliantly sketched and clearly
developed. They are likewise of perfect morality and honesty.

There was expected of him, however, an idea which was not quite
realized. Appearing upon the literary stage at a period when Naturalism
was triumphant, it was for a moment believed that he would restore
Idealism in the manner of George Sand.

In any case the hostile critics have lost. For years public opinion has
exalted him, and the reaction is the more significant when compared with
the tremendous criticism launched against his early romances and novels.

A list of his works follows:

Serge Panine (1881), crowned by the French Academy, has since gone
through one hundred and fifty French editions; Le Maitre des Forges
(1882), a prodigious success, two hundred and fifty editions being
printed (1900); La Comtesse Sarah (1882); Lise Fleuyon (1884); La Grande
Maynieye (1886); Les Dames de Croix-Mort (1886); Volonte (1888); Le
Docteur Rameau (1889); Deynier Amour (1889); Le Cure de Favieyes (1890);
Dette de Haine (1891); Nemsod et Cie. (1892); Le Lendemain des Amours
(1893); Le Droit de l'Enfant (1894.); Les Vielles Rancunes (1894); La
Dame en Gris (1895); La Fille du Depute (1896); Le Roi de Paris (1898);
Au Fond du Gouffre (1899); Gens de la Noce (1900); La Tenibreuse (1900);
Le Cyasseur d'Affaires (1901); Le Crepuscule (1901); Le Marche a l'Amour
(1902).

Ohnet's novels are collected under the titles, 'Noir et Rose (1887) and
L'Ame de Pierre (1890).

The dramatic writings of Georges Ohnet, mostly taken from his novels,
have greatly contributed to his reputation. Le Maitre des Forges was
played for a full year (Gymnase, 1883); it was followed by Serge Panine
(1884); La Comtesse Sarah (1887). La Grande Mayniere (1888), met also
with a decided and prolonged success; Dernier Amour (Gymnase, 1890);
Colonel