FREE BOOKS

Author's List




PREV.   NEXT  
|<   1   2   3   4   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25  
26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   >>   >|  
The Project Gutenberg EBook of The Renaissance, by Walter Pater This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Renaissance Studies in Art and Poetry Author: Walter Pater Posting Date: March 27, 2009 [EBook #2398] Release Date: November, 2000 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE RENAISSANCE *** Produced by Bruce McClintock. HTML version by Al Haines. THE RENAISSANCE STUDIES IN ART AND POETRY by Walter Pater Sixth Edition Dedication To C.L.S. PREFACE Many attempts have been made by writers on art and poetry to define beauty in the abstract, to express it in the most general terms, to find a universal formula for it. The value of these attempts has most often been in the suggestive and penetrating things said by the way. Such discussions help us very little to enjoy what has been well done in art or poetry, to discriminate between what is more and what is less excellent in them, or to use words like beauty, excellence, art, poetry, with a more precise meaning than they would otherwise have. Beauty, like all other qualities presented to human experience, is relative; and the definition of it becomes unmeaning and useless in proportion to its abstractness. To define beauty, not in the most abstract, but in the most concrete terms possible, to find, not a universal formula for it, but the formula which expresses most adequately this or that special manifestation of it, is the aim of the true student of aesthetics. "To see the object as in itself it really is," has been justly said to be the aim of all true criticism whatever; and in aesthetic criticism the first step towards seeing one's object as it really is, is to know one's own impression as it really is, to discriminate it, to realise it distinctly. The objects with which aesthetic criticism deals--music, poetry, artistic and accomplished forms of human life--are indeed receptacles of so many powers or forces: they possess, like the products of nature, so many virtues or qualities. What is this song or picture, this engaging personality presented in life or in a book, to ME? What effect does it really produce on
PREV.   NEXT  
|<   1   2   3   4   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25  
26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   >>   >|  



Top keywords:
poetry
 
criticism
 

beauty

 

formula

 

Walter

 

define

 

RENAISSANCE

 

aesthetic

 

abstract

 
Project

Gutenberg
 

attempts

 

object

 

universal

 

qualities

 
Renaissance
 

discriminate

 

presented

 
unmeaning
 

excellence


meaning

 

relative

 

precise

 

concrete

 
useless
 

Beauty

 

definition

 

abstractness

 

proportion

 

experience


aesthetics
 
powers
 
forces
 

possess

 

products

 
receptacles
 

artistic

 

accomplished

 

nature

 
virtues

effect

 
produce
 

personality

 

picture

 

engaging

 
justly
 
student
 
adequately
 

special

 
manifestation