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description, also fell into their hands, and were bought by the trading Venetians, and the proceeds distributed among the army. Two thousand persons were put to the sword; but had there been less plunder to take up the attention of the victors, the slaughter would in all probability have been much greater. In many of the bloody wars which defile the page of history, we find that soldiers, utterly reckless of the works of God, will destroy his masterpiece, man, with unsparing brutality, but linger with respect around the beautiful works of art. They will slaughter women and children, but spare a picture; will hew down the sick, the helpless, and the hoary-headed, but refrain from injuring a fine piece of sculpture. The Latins, on their entrance into Constantinople, respected neither the works of God nor man, but vented their brutal ferocity upon the one and satisfied their avarice upon the other. Many beautiful bronze statues, above all price as works of art, were broken into pieces to be sold as old metal. The finely-chiselled marble, which could be put to no such vile uses, was also destroyed, with a recklessness; if possible, still more atrocious. [The following is a list of some of the works of art thus destroyed, from Nicetas, a contemporary Greek author:--1st. A colossal Juno, from the forum of Constantine, the head of which was so large that four horses could scarcely draw it from the place where it stood to the palace. 2d. The statue of Paris presenting the apple to Venus. 3d. An immense bronze pyramid, crowned by a female figure, which turned with the wind. 4th. The colossal statue of Bellerophon, in bronze, which was broken down and cast into the furnace. Under the inner nail of the horse's hind foot on the left side, was found a seal wrapped in a woollen cloth. 5th. A figure of Hercules, by Lysimachus, of such vast dimensions that the thumb was equal in circumference to the waist of a man. 6th. The Ass and his driver, cast by order of Augustus after the battle of Actium, in commemoration of his having discovered the position of Antony through the means of an ass-driver. 7th. The Wolf suckling the twins of Rome. 8th. The Gladiator in combat with a lion. 9th. The Hippopotamus. 10th. The Sphinxes. 11th. An eagle fighting with a serpent. 12th. A beautiful statue of Helen. 13th. A group, with a monster somewhat resembling a bull, engaged in deadly conflict with a serpent; and many other works of art, too numerous
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