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d wondered if it was all real. Sunnyside is for sale--no, I shall not buy it. Little Lucien Armstrong is living with his step-grandmother, and she is recovering gradually from troubles that had extended over the entire period of her second marriage. Anne Watson lies not far from the man she killed, and who as surely caused her death. Thomas, the fourth victim of the conspiracy, is buried on the hill. With Nina Carrington, five lives were sacrificed in the course of this grim conspiracy. There will be two weddings before long, and Liddy has asked for my heliotrope poplin to wear to the church. I knew she would. She has wanted it for three years, and she was quite ugly the time I spilled coffee on it. We are very quiet, just the two of us. Liddy still clings to her ghost theory, and points to my wet and muddy boots in the trunk-room as proof. I am gray, I admit, but I haven't felt as well in a dozen years. Sometimes, when I am bored, I ring for Liddy, and we talk things over. When Warner married Rosie, Liddy sniffed and said what I took for faithfulness in Rosie had been nothing but mawkishness. I have not yet outlived Liddy's contempt because I gave them silver knives and forks as a wedding gift. So we sit and talk, and sometimes Liddy threatens to leave, and often I discharge her, but we stay together somehow. I am talking of renting a house next year, and Liddy says to be sure there is no ghost. To be perfectly frank, I never really lived until that summer. Time has passed since I began this story. My neighbors are packing up for another summer. Liddy is having the awnings put up, and the window boxes filled. Liddy or no Liddy, I shall advertise to-morrow for a house in the country, and I don't care if it has a Circular Staircase. End of Project Gutenberg's The Circular Staircase, by Mary Roberts Rinehart *** END OF THIS PROJECT GUTENBERG EBOOK THE CIRCULAR STAIRCASE *** ***** This file should be named 434.txt or 434.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/4/3/434/ Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special r
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