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estigations far beyond the category of personal attractions, and soar into the lofty atmosphere of intellectual gifts and graces, bearing along with him, at the same time, a full knowledge of that public for whom he is proceeding; that fickle, changeful, fanciful public, who sometimes, out of pure satiety with what is best, begin to long for what is second-rate. What consummate skill must be his who thus feels the pulse of fashion, recognizing in its beat the indications of this or that tendency, whether "society" soars to the classic "Norma," or descends to the tawdry vulgarisms of the "Traviata"! No man ever accepted more implicitly than Mr. Stocmar the adage of "Whatever is, is best." The judgment of the day with him was absolute. The "world" _a toujours raison_, was his creed. When that world pronounced for music, he cried, "Long live Verdi!" when it decided for the ballet, his toast was, "Legs against the field!" Now, at this precise moment, this same world had taken a torn for mere good looks,--if it be not heresy to say "mere" to such a thing as beauty,--and had actually grown a little wearied of roulades and pirouettes; and so Stocmar had come abroad, to see what the great slave market of Europe could offer him. Let us suppose them, therefore, pleasantly meandering along through the Rhineland, while we turn once more to those whom we have left beyond the Alps. CHAPTER XXVII. THE FRAGMENT OF A LETTER The following brief epistle from Mrs. Morris to her father will save the reader the tedious task of following the Heathcote family through an uneventful interval, and at the same time bring him to that place and period in which we wish to see him. It is dated Hotel d'Italie, Florence:-- "Dear Papa,--You are not to feel any shock or alarm at the black margin and wax of this epistle, though its object be to inform you that I am a widow, Captain Penthony Morris having died some eight months back in Upper India; but the news has only reached me now. In a word, I have thought it high time to put an end to this mythical personage, whose cruel treatment of me I had grown tired of recalling, and, I conclude, others of listening to. Now, although it may be very hard on you to go into mourning for the death of one who never lived, yet I must bespeak your grief, in so far as stationery is concerned, and that you write to me on the most woe-begone of cream-laid, and with the most sorrow-struck of seals. "There
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