hear an artist sing, acquaint yourself as much as
possible with the program.
While under one instructor, do not run around to other studios to have
your voice tried. It is undignified, and reflects on your teacher, as
well as upon yourself.
Become a sight reader by reading at sight.
You can break yourself from clearing your throat by not clearing it. You
will be surprised to find it was only a habit.
Punctuality at the studio is essential. Ten minutes early for your
lesson is better than two minutes late.
If there is anything about your lesson that you do not understand, ask
questions. You are paying for information.
Practice systematically if you expect to make a success.
Beginners should practice only fifteen minutes at a time.
The scales are the backbone of music study.
Remember your consonants are of as great value as your vowels.
In singing, you must use both your nose and mouth for breathing.
Always stand up when practicing your exercises.
Memorize all your songs.
When asked to sing, sing songs with which you are perfectly familiar.
Stand on both feet and let your chest, not your stomach lead.
If you expect to sing well, leave the tight collar, the tight corset and
the tight shoes at home.
It is better to stand too near the footlights than too far back.
If you are not an expert at handling a train on the stage, don't wear
one.
While waiting for the introduction to be played, don't count the
footlights or the stars, but look out beyond the audience, rather in
with your eyes and nose.
When holding music, never hold it high enough to cover your face from
the audience.
Sing =to= your audience, not =at= it.
Try and look pleasant, even if you don't feel that way. The audience
can't help it.
Never fail to give a smile or word of encouragement to other beginners
who may be on the same program with you.
It is certainly appalling to know how many good singers have bad stage
manners.
A man must never put either one or both hands in his trouser pockets,
nor stand with his feet spread far apart while singing. Both of these
faults denote improper training.
If you are ever so warm, use your handkerchief only before or after you
leave the stage.
Correct dress is essential.
For a man, for informal entertainments, black suit, black shoes, white
shirt, collar and cuffs, with either a black or white tie. For concert,
only evening dress is appropriate.
For girls, the ni
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